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Knowing Dickens / Rosemarie Bodenheimer.

By: Material type: TextTextPublisher: Ithaca, NY : Cornell University Press, [2010]Copyright date: ©2012Description: 1 online resource (256 p.) : 1 halftoneContent type:
Media type:
Carrier type:
ISBN:
  • 9780801460104
Subject(s): DDC classification:
  • 823/.8 22
LOC classification:
  • PR4588 .B63 2007eb
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Acknowledgments -- Frequently Cited Works -- 1. What Dickens Knew -- 2. Language on the Loose -- 3. Memory -- 4. Another Man -- 5. Manager of the House -- 6. Streets -- Afterword -- Bibliographical Notes -- Works Cited -- Index
Summary: "A revealing and concealing intelligence lurks somewhere—but where, exactly?—in Dickens's writing. To capture something of that knowing Dickens who eludes us, I follow some representative clusters of thought and feeling that link Dickens's ways of talking in letters with his concerns in fiction and journalism. What are the internal plots this writer carried around throughout his life, his characteristic patterns of experience, response, and counterresponse? What shapes recur in the various forms of writing and acting that make up this life?"—from Knowing DickensIn this compelling and accessible book Rosemarie Bodenheimer explores the thoughtworld of the Victorian novelist who was most deeply intrigued by nineteenth-century ideas about the unconscious mind. Dickens found many ways to dramatize in his characters both unconscious processes and acts of self-projection—notions that are sometimes applied to him as if he were an unwitting patient. Bodenheimer explains how the novelist used such techniques to negotiate the ground between knowing and telling, revealing and concealing. She asks how well Dickens knew himself—the extent to which he understood his own nature and the ways he projected himself in his fictions—and how well we can know him. Knowing Dickens is the first book to systematically explore Dickens's abundant correspondence in relation to his published writings. Gathering evidence from letters, journalistic essays, stories, and novels that bear on a major issue or pattern of response in Dickens's life and work, Bodenheimer cuts across familiar storylines in Dickens biography and criticism in chapters that take up topics including self-defensive language, models of memory, relations of identification and rivalry among men, houses and household management, and walking and writing.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780801460104

Frontmatter -- Contents -- Acknowledgments -- Frequently Cited Works -- 1. What Dickens Knew -- 2. Language on the Loose -- 3. Memory -- 4. Another Man -- 5. Manager of the House -- 6. Streets -- Afterword -- Bibliographical Notes -- Works Cited -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

"A revealing and concealing intelligence lurks somewhere—but where, exactly?—in Dickens's writing. To capture something of that knowing Dickens who eludes us, I follow some representative clusters of thought and feeling that link Dickens's ways of talking in letters with his concerns in fiction and journalism. What are the internal plots this writer carried around throughout his life, his characteristic patterns of experience, response, and counterresponse? What shapes recur in the various forms of writing and acting that make up this life?"—from Knowing DickensIn this compelling and accessible book Rosemarie Bodenheimer explores the thoughtworld of the Victorian novelist who was most deeply intrigued by nineteenth-century ideas about the unconscious mind. Dickens found many ways to dramatize in his characters both unconscious processes and acts of self-projection—notions that are sometimes applied to him as if he were an unwitting patient. Bodenheimer explains how the novelist used such techniques to negotiate the ground between knowing and telling, revealing and concealing. She asks how well Dickens knew himself—the extent to which he understood his own nature and the ways he projected himself in his fictions—and how well we can know him. Knowing Dickens is the first book to systematically explore Dickens's abundant correspondence in relation to his published writings. Gathering evidence from letters, journalistic essays, stories, and novels that bear on a major issue or pattern of response in Dickens's life and work, Bodenheimer cuts across familiar storylines in Dickens biography and criticism in chapters that take up topics including self-defensive language, models of memory, relations of identification and rivalry among men, houses and household management, and walking and writing.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2024)