Library Catalog
Amazon cover image
Image from Amazon.com

Warm Brothers : Queer Theory and the Age of Goethe / Robert Tobin.

By: Material type: TextTextSeries: New Cultural StudiesPublisher: Philadelphia : University of Pennsylvania Press, [2015]Copyright date: ©2000Description: 1 online resource (256 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780812235449
  • 9780812203608
Subject(s): DDC classification:
  • 830.9/353 23
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- CONTENTS -- Preface: Panic in Weimar -- List of Abbreviations -- 1. Queering the Eighteenth Century -- 2. Warm Signifiers: Eighteenth-Century Codes of Male-Male Desire -- 3. Jean Paul's Oriental Homosexualities -- 4. Literary Cures in Wieland and Moritz -- 5. Pederasty and Pharmaka in Goethe's Works -- 6. Performing Gender in Wilhelm Meister: Goethe on Italian Transvestites -- 7. Male Members: Ganymede, Prometheus, Faust -- 8. Thomas Mann's Queer Schiller -- 9. Lichtenberg's Queer Fragments: Sexuality and the Aphorism -- Conclusion. Made in Germany: Modern Sexuality -- Bibliography -- Acknowledgments -- Index
Summary: In eighteenth-century Germany, the aesthetician Friedrich Wilhelm Basileus Ramdohr could write of the phenomenon of men who evoke sexual desire in other men; Johann Joachim Winckelmann could place admiration of male beauty at the center of his art criticism; and admirers and detractors alike of Frederick the Great, King of Prussia, felt constrained to comment upon the ruler's obvious preference for men over women. In German cities of the period, men identified as "warm brothers" wore broad pigtails powdered in the back, and developed a particular discourse of friendship, classicism, Orientalism, and fashion.There is much evidence, Robert D. Tobin contends, that something was happening in the semantic field around male-male desire in late eighteenth-century Germany, and that certain signs were coalescing around "a queer proto-identity." Today, we might consider a canonical author of the period such as Jean Paul a homosexual; we would probably not so identify Goethe or Schiller. But for Tobin, queer subtexts are found in the writings of all three and many others.Warm Brothers analyzes classical German writers through the lens of queer theory. Beginning with sodomitical subcultures in eighteenth-century Germany, it examines the traces of an emergent homosexuality and shows the importance of the eighteenth century for the nineteenth-century sexologists who were to provide the framework for modern conceptualizations of sexuality. One of the first books to document male-male desire in eighteenth-century German literature and culture, Warm Brothers offers a much-needed reappraisal of the classical canon and the history of sexuality.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780812203608

Frontmatter -- CONTENTS -- Preface: Panic in Weimar -- List of Abbreviations -- 1. Queering the Eighteenth Century -- 2. Warm Signifiers: Eighteenth-Century Codes of Male-Male Desire -- 3. Jean Paul's Oriental Homosexualities -- 4. Literary Cures in Wieland and Moritz -- 5. Pederasty and Pharmaka in Goethe's Works -- 6. Performing Gender in Wilhelm Meister: Goethe on Italian Transvestites -- 7. Male Members: Ganymede, Prometheus, Faust -- 8. Thomas Mann's Queer Schiller -- 9. Lichtenberg's Queer Fragments: Sexuality and the Aphorism -- Conclusion. Made in Germany: Modern Sexuality -- Bibliography -- Acknowledgments -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

In eighteenth-century Germany, the aesthetician Friedrich Wilhelm Basileus Ramdohr could write of the phenomenon of men who evoke sexual desire in other men; Johann Joachim Winckelmann could place admiration of male beauty at the center of his art criticism; and admirers and detractors alike of Frederick the Great, King of Prussia, felt constrained to comment upon the ruler's obvious preference for men over women. In German cities of the period, men identified as "warm brothers" wore broad pigtails powdered in the back, and developed a particular discourse of friendship, classicism, Orientalism, and fashion.There is much evidence, Robert D. Tobin contends, that something was happening in the semantic field around male-male desire in late eighteenth-century Germany, and that certain signs were coalescing around "a queer proto-identity." Today, we might consider a canonical author of the period such as Jean Paul a homosexual; we would probably not so identify Goethe or Schiller. But for Tobin, queer subtexts are found in the writings of all three and many others.Warm Brothers analyzes classical German writers through the lens of queer theory. Beginning with sodomitical subcultures in eighteenth-century Germany, it examines the traces of an emergent homosexuality and shows the importance of the eighteenth century for the nineteenth-century sexologists who were to provide the framework for modern conceptualizations of sexuality. One of the first books to document male-male desire in eighteenth-century German literature and culture, Warm Brothers offers a much-needed reappraisal of the classical canon and the history of sexuality.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022)