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The Fabrication of American Literature : Fraudulence and Antebellum Print Culture / Lara Langer Cohen.

By: Material type: TextTextSeries: Material TextsPublisher: Philadelphia : University of Pennsylvania Press, [2011]Copyright date: ©2012Description: 1 online resource (256 p.) : 9 illusContent type:
Media type:
Carrier type:
ISBN:
  • 9780812243697
  • 9780812205190
Subject(s): DDC classification:
  • 810.9/003 23
LOC classification:
  • PS208 .C64 2012
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- Introduction. American Literary Fraudulence -- Chapter 1. ''One Vast Perambulating Humbug'': Literary Nationalism and the Rise of the Puffing System -- Chapter 2. Backwoods and Blackface: The Strange Careers of Davy Crockett and Jim Crow -- Chapter 3. ''Slavery Never Can Be Represented'': James Williams and the Racial Politics of Imposture -- Chapter 4. Mediums of Exchange: Fanny Fern's Unoriginality -- Conclusion. The Confidence Man on a Large Scale -- Notes -- Works Cited -- Index -- Acknowledgments
Summary: Literary histories typically celebrate the antebellum period as marking the triumphant emergence of American literature. But the period's readers and writers tell a different story: they derided literature as a fraud, an imposture, and a humbug, and they likened it to inflated currency, land bubbles, and quack medicine.Excavating a rich archive of magazine fiction, verse satires, comic almanacs, false slave narratives, minstrel song sheets, and early literary criticism, and revisiting such familiar figures as Edgar Allan Poe, Davy Crockett, Fanny Fern, and Herman Melville, Lara Langer Cohen uncovers the controversies over literary fraudulence that plagued these years and uses them to offer an ambitious rethinking of the antebellum print explosion. She traces the checkered fortunes of American literature from the rise of literary nationalism, which was beset by accusations of puffery, to the conversion of fraudulence from a national dilemma into a sorting mechanism that produced new racial, regional, and gender identities. Yet she also shows that even as fraudulence became a sign of marginality, some authors managed to turn their dubious reputations to account, making a virtue of their counterfeit status. This forgotten history, Cohen argues, presents a dramatically altered picture of American literature's role in antebellum culture, one in which its authority is far from assured, and its failures matter as much as its achievements.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780812205190

Frontmatter -- Contents -- Introduction. American Literary Fraudulence -- Chapter 1. ''One Vast Perambulating Humbug'': Literary Nationalism and the Rise of the Puffing System -- Chapter 2. Backwoods and Blackface: The Strange Careers of Davy Crockett and Jim Crow -- Chapter 3. ''Slavery Never Can Be Represented'': James Williams and the Racial Politics of Imposture -- Chapter 4. Mediums of Exchange: Fanny Fern's Unoriginality -- Conclusion. The Confidence Man on a Large Scale -- Notes -- Works Cited -- Index -- Acknowledgments

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http://purl.org/coar/access_right/c_16ec

Literary histories typically celebrate the antebellum period as marking the triumphant emergence of American literature. But the period's readers and writers tell a different story: they derided literature as a fraud, an imposture, and a humbug, and they likened it to inflated currency, land bubbles, and quack medicine.Excavating a rich archive of magazine fiction, verse satires, comic almanacs, false slave narratives, minstrel song sheets, and early literary criticism, and revisiting such familiar figures as Edgar Allan Poe, Davy Crockett, Fanny Fern, and Herman Melville, Lara Langer Cohen uncovers the controversies over literary fraudulence that plagued these years and uses them to offer an ambitious rethinking of the antebellum print explosion. She traces the checkered fortunes of American literature from the rise of literary nationalism, which was beset by accusations of puffery, to the conversion of fraudulence from a national dilemma into a sorting mechanism that produced new racial, regional, and gender identities. Yet she also shows that even as fraudulence became a sign of marginality, some authors managed to turn their dubious reputations to account, making a virtue of their counterfeit status. This forgotten history, Cohen argues, presents a dramatically altered picture of American literature's role in antebellum culture, one in which its authority is far from assured, and its failures matter as much as its achievements.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022)