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In the Shadow of the Gallows : Race, Crime, and American Civic Identity / Jeannine Marie DeLombard.

By: Material type: TextTextSeries: Haney Foundation SeriesPublisher: Philadelphia : University of Pennsylvania Press, [2012]Copyright date: ©2012Description: 1 online resource (456 p.) : 15 illusContent type:
Media type:
Carrier type:
ISBN:
  • 9780812244229
  • 9780812206333
Subject(s): Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- Introduction: How a Slave Was Made a Man -- Part I -- Chapter 1. Contracting Guilt: Mixed Character, Civil Slavery, and the Social Compact -- Chapter 2. Black Catalogues: Crime, Print, and the Rise of the Black Self -- Part II -- Chapter 3. The Ignominious Cord: Crime, Counterfactuals, and the New Black Politics -- Chapter 4. The Work of Death: Time, Crime, and Personhood in Jacksonian America -- Chapter 5. How Freeman Was Made a Madman: Race, Capacity, and Citizenship -- Chapter 6. Who Aint a Slaver? Citizenship, Piracy, and Slaver Narratives -- Conclusion -- Notes -- Bibliography -- Index -- Acknowledgments
Summary: From Puritan Execution Day rituals to gangsta rap, the black criminal has been an enduring presence in American culture. To understand why, Jeannine Marie DeLombard insists, we must set aside the lenses of pathology and persecution and instead view the African American felon from the far more revealing perspectives of publicity and personhood. When the Supreme Court declared in Dred Scott that African Americans have "no rights which the white man was bound to respect," it overlooked the right to due process, which ensured that black offenders-even slaves-appeared as persons in the eyes of the law. In the familiar account of African Americans' historical shift "from plantation to prison," we have forgotten how, for a century before the Civil War, state punishment affirmed black political membership in the breach, while a thriving popular crime literature provided early America's best-known models of individual black selfhood. Before there was the slave narrative, there was the criminal confession.Placing the black condemned at the forefront of the African American canon allows us to see how a later generation of enslaved activists-most notably, Frederick Douglass-could marshal the public presence and civic authority necessary to fashion themselves as eligible citizens. At the same time, in an era when abolitionists were charging Americans with the national crime of "manstealing," a racialized sense of culpability became equally central to white civic identity. What, for African Americans, is the legacy of a citizenship grounded in culpable personhood? For white Americans, must membership in a nation built on race slavery always betoken guilt? In the Shadow of the Gallows reads classics by J. Hector St. John de Crèvecoeur, Edgar Allan Poe, Frederick Douglass, Herman Melville, George Lippard, and Edward Everett Hale alongside execution sermons, criminal confessions, trial transcripts, philosophical treatises, and political polemics to address fundamental questions about race, responsibility, and American civic belonging.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780812206333

Frontmatter -- Contents -- Introduction: How a Slave Was Made a Man -- Part I -- Chapter 1. Contracting Guilt: Mixed Character, Civil Slavery, and the Social Compact -- Chapter 2. Black Catalogues: Crime, Print, and the Rise of the Black Self -- Part II -- Chapter 3. The Ignominious Cord: Crime, Counterfactuals, and the New Black Politics -- Chapter 4. The Work of Death: Time, Crime, and Personhood in Jacksonian America -- Chapter 5. How Freeman Was Made a Madman: Race, Capacity, and Citizenship -- Chapter 6. Who Aint a Slaver? Citizenship, Piracy, and Slaver Narratives -- Conclusion -- Notes -- Bibliography -- Index -- Acknowledgments

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

From Puritan Execution Day rituals to gangsta rap, the black criminal has been an enduring presence in American culture. To understand why, Jeannine Marie DeLombard insists, we must set aside the lenses of pathology and persecution and instead view the African American felon from the far more revealing perspectives of publicity and personhood. When the Supreme Court declared in Dred Scott that African Americans have "no rights which the white man was bound to respect," it overlooked the right to due process, which ensured that black offenders-even slaves-appeared as persons in the eyes of the law. In the familiar account of African Americans' historical shift "from plantation to prison," we have forgotten how, for a century before the Civil War, state punishment affirmed black political membership in the breach, while a thriving popular crime literature provided early America's best-known models of individual black selfhood. Before there was the slave narrative, there was the criminal confession.Placing the black condemned at the forefront of the African American canon allows us to see how a later generation of enslaved activists-most notably, Frederick Douglass-could marshal the public presence and civic authority necessary to fashion themselves as eligible citizens. At the same time, in an era when abolitionists were charging Americans with the national crime of "manstealing," a racialized sense of culpability became equally central to white civic identity. What, for African Americans, is the legacy of a citizenship grounded in culpable personhood? For white Americans, must membership in a nation built on race slavery always betoken guilt? In the Shadow of the Gallows reads classics by J. Hector St. John de Crèvecoeur, Edgar Allan Poe, Frederick Douglass, Herman Melville, George Lippard, and Edward Everett Hale alongside execution sermons, criminal confessions, trial transcripts, philosophical treatises, and political polemics to address fundamental questions about race, responsibility, and American civic belonging.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022)