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Rum, Sodomy, and the Lash : Piracy, Sexuality, and Masculine Identity / Hans Turley.

By: Material type: TextTextPublisher: New York, NY : New York University Press, [2022]Copyright date: ©1999Description: 1 online resourceContent type:
Media type:
Carrier type:
ISBN:
  • 9780814771792
Subject(s): DDC classification:
  • 364.164
LOC classification:
  • G535 .T87 1999
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Preface -- Introduction: A Merry Life and a Short One -- 1 Life on Board an Early-Eighteenth-Century Ship -- 2 Hostis Humani Generis: The Common Enemy against All Mankind -- 3 Trial Records, Last Words, and Other Ephemera: The Literary Artifacts of Piracy -- 4 Captain Avery and the Making of an Antihero -- 5 Fabricated by the Frail Hand of Man: The General History and Fictional Reality -- 6 A Brave, a Just, an Innocent, and a Noble Cause -- 7 Solemn Imprecations and Curses: Captain Singleton’s Search for Identity -- 8 Robinson Crusoe and ‘‘True Christian’’ Identity -- Notes -- Bibliography -- Index -- About the Author
Summary: Despite, or perhaps because of, our lack of actual knowledge about pirates, an immense architecture of cultural mythology has arisen around them. Three hundred years of novels, plays, painting, and movies have etched into the popular imagination contradictory images of the pirate as both arch-criminal and anti-hero par excellence. How did the pirate-a real threat to mercantilism and trade in early-modern Britain-become the hypermasculine anti-hero familiar to us through a variety of pop culture outlets? How did the pirate's world, marked as it was by sexual and economic transgression, come to capture our collective imagination? In Rum, Sodomy, and the Lash, Hans Turley delves deep into the archives to examine the homoerotic and other culturally transgressive aspects of the pirate's world and our prurient fascination with it. Turley fastens his eye on historical documents, trial records, and the confessions of pirates, as well as literary works such as Robinson Crusoe, to track the birth and development of the pirate image and to show its implications for changing notions of self, masculinity, and sexuality in the modern era. Turley's wide-ranging analysis provides a new kind of history of both piracy and desire, articulating the meaning of the pirate's contradictory image to literary, cultural, and historical studies.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780814771792

Frontmatter -- Contents -- Preface -- Introduction: A Merry Life and a Short One -- 1 Life on Board an Early-Eighteenth-Century Ship -- 2 Hostis Humani Generis: The Common Enemy against All Mankind -- 3 Trial Records, Last Words, and Other Ephemera: The Literary Artifacts of Piracy -- 4 Captain Avery and the Making of an Antihero -- 5 Fabricated by the Frail Hand of Man: The General History and Fictional Reality -- 6 A Brave, a Just, an Innocent, and a Noble Cause -- 7 Solemn Imprecations and Curses: Captain Singleton’s Search for Identity -- 8 Robinson Crusoe and ‘‘True Christian’’ Identity -- Notes -- Bibliography -- Index -- About the Author

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Despite, or perhaps because of, our lack of actual knowledge about pirates, an immense architecture of cultural mythology has arisen around them. Three hundred years of novels, plays, painting, and movies have etched into the popular imagination contradictory images of the pirate as both arch-criminal and anti-hero par excellence. How did the pirate-a real threat to mercantilism and trade in early-modern Britain-become the hypermasculine anti-hero familiar to us through a variety of pop culture outlets? How did the pirate's world, marked as it was by sexual and economic transgression, come to capture our collective imagination? In Rum, Sodomy, and the Lash, Hans Turley delves deep into the archives to examine the homoerotic and other culturally transgressive aspects of the pirate's world and our prurient fascination with it. Turley fastens his eye on historical documents, trial records, and the confessions of pirates, as well as literary works such as Robinson Crusoe, to track the birth and development of the pirate image and to show its implications for changing notions of self, masculinity, and sexuality in the modern era. Turley's wide-ranging analysis provides a new kind of history of both piracy and desire, articulating the meaning of the pirate's contradictory image to literary, cultural, and historical studies.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2024)