Modern Theories of Art 1 : From Winckelmann to Baudelaire / ed. by Moshe Barasch.
Material type: TextPublisher: New York, NY :  New York University Press,  [2020]Copyright date: ©1990Description: 1 online resource (460 p.)Content type:
TextPublisher: New York, NY :  New York University Press,  [2020]Copyright date: ©1990Description: 1 online resource (460 p.)Content type: - 9780814711330
- 9780814787274
- 701 20
- online - DeGruyter
| Item type | Current library | Call number | URL | Status | Notes | Barcode | |
|---|---|---|---|---|---|---|---|
|  eBook | Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9780814787274 | 
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
This is an analytical survey of the thought about painting and sculpture as it unfolded from the early eighteenth to the mid-nineteenth centuries. This was the period during which theories of the visual arts, particularly of painting and sculpture, underwent a radical transformation, as a result of which the intellectual foundations of our modern views on the arts were formed. Because this transformation can only be understood when seen in a broad context of cultural, aesthetic, and philosophical developments of the period, Moshe Barasch surveys the opinions of the artists, and also treats in some detail the doctrines of philosophers, poets, and critics. Barasch thus traces for the reader the entire development of modernism in art and art theory.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023)


