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Orientalism and the Figure of the Jew / Jeffrey S. Librett.

By: Material type: TextTextPublisher: New York, NY : Fordham University Press, [2014]Copyright date: ©2014Description: 1 online resource (376 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780823262915
  • 9780823262946
Subject(s): DDC classification:
  • 303.48/2430509034 23
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- List of Illustrations -- Preface -- Acknowledgments -- Introduction: Orientalism as Typology, or How to Disavow the Modern Abyss -- Part I. Historicist Orientalism: Transcendental Historiography from Johann Gottfried Herder to Arthur Schopenhauer -- Part II. How Not to Appropriate Orientalist Typology: Some Modernist Responses to Historicism -- Conclusion: For an Abstract Historiography of the Nonexistent Present -- Notes -- Index
Summary: Orientalism and the Figure of the Jew proposes a new way of understanding modern Orientalism. Tracing a path of modern Orientalist thought in German across crucial writings from the late eighteenth to the mid–twentieth centuries, Librett argues that Orientalism and anti-Judaism are inextricably entangled.Librett suggests, further, that the Western assertion of “material” power, in terms of which Orientalism is often read, is overdetermined by a “spiritual” weakness: an anxiety about the absence of absolute foundations and values that coincides with Western modernity itself. The modern West, he shows, posits an Oriental origin as a fetish to fill the absent place of lacking foundations. This fetish is appropriated as Western through a quasi-secularized application of Christian typology. Further, the Western appropriation of the “good” Orient always leaves behind the remainder of the “bad,” inassimilable Orient.The book traces variations on this theme through historicist and idealist texts of the nineteenth century and then shows how high modernists like Buber, Kafka, Mann, and Freud place this historicist narrative in question. The book concludes with the outlines of a cultural historiography that would distance itself from the metaphysics of historicism, confronting instead its underlying anxieties.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780823262946

Frontmatter -- Contents -- List of Illustrations -- Preface -- Acknowledgments -- Introduction: Orientalism as Typology, or How to Disavow the Modern Abyss -- Part I. Historicist Orientalism: Transcendental Historiography from Johann Gottfried Herder to Arthur Schopenhauer -- Part II. How Not to Appropriate Orientalist Typology: Some Modernist Responses to Historicism -- Conclusion: For an Abstract Historiography of the Nonexistent Present -- Notes -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Orientalism and the Figure of the Jew proposes a new way of understanding modern Orientalism. Tracing a path of modern Orientalist thought in German across crucial writings from the late eighteenth to the mid–twentieth centuries, Librett argues that Orientalism and anti-Judaism are inextricably entangled.Librett suggests, further, that the Western assertion of “material” power, in terms of which Orientalism is often read, is overdetermined by a “spiritual” weakness: an anxiety about the absence of absolute foundations and values that coincides with Western modernity itself. The modern West, he shows, posits an Oriental origin as a fetish to fill the absent place of lacking foundations. This fetish is appropriated as Western through a quasi-secularized application of Christian typology. Further, the Western appropriation of the “good” Orient always leaves behind the remainder of the “bad,” inassimilable Orient.The book traces variations on this theme through historicist and idealist texts of the nineteenth century and then shows how high modernists like Buber, Kafka, Mann, and Freud place this historicist narrative in question. The book concludes with the outlines of a cultural historiography that would distance itself from the metaphysics of historicism, confronting instead its underlying anxieties.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023)