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Painters in Hanoi : An Ethnography of Vietnamese Art / Nora Annesley Taylor.

By: Material type: TextTextPublisher: Honolulu : University of Hawaii Press, [2009]Copyright date: ©2009Description: 1 online resource (192 p.) : 40 illus., 38 in colorContent type:
Media type:
Carrier type:
ISBN:
  • 9780824833558
  • 9780824845100
Subject(s): Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Acknowledgments -- 1. Introduction Sketches of Vietnamese Painting -- 2. Orientalists or Occidentalists? “Indochinese” Artists under Colonialism -- 3. National Heroes and Artistic Heroes Artists under the Revolution -- 4. Bui Xuan Phai and the Modern Masters of Vietnamese Painting -- 5. Postwar Artists and Reformers -- 6. Women Artists -- 7. The Hanoi Art Market and the Global Artist -- 8. Conclusion Past and Present in the Hanoi Art World -- Appendix -- Notes -- Bibliography -- Index -- About the Author
Summary: Painting has played a significant role in modern Vietnam. Postage stamps, billboards, and annual national exhibitions attest to its fundamental place in a country where painters may be hailed as national heroes and include among their number fervent nationalists, propagandists, even dissidents. As Vietnamese painting has gained prominence in the contemporary transnational art circuits of Southeast Asia, many artists have become millionaires, yet Vietnamese painting is generally overlooked in art history surveys of the region. Nora Taylor sets out here to change that. Painters in Hanoi engages with twentieth-century Vietnam through its artists and their works, providing a new angle on a country most often portrayed through the lens of war and politics. Drawing on interviews with artists, cultural officers, curators, art critics, and others in Hanoi, Taylor surveys the impact artists have had on intellectual life in Vietnam. The book shows them within their own complex community, one fraught with tensions, politicking, and favoritism, yet also a sense of belonging. It describes their education, the role of the government in the arts, the rise and fall of individual artists, their influence as active players in the politics of place and gender, the audience for their work, and how tourism and the international art market have influenced it.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780824845100

Frontmatter -- Contents -- Acknowledgments -- 1. Introduction Sketches of Vietnamese Painting -- 2. Orientalists or Occidentalists? “Indochinese” Artists under Colonialism -- 3. National Heroes and Artistic Heroes Artists under the Revolution -- 4. Bui Xuan Phai and the Modern Masters of Vietnamese Painting -- 5. Postwar Artists and Reformers -- 6. Women Artists -- 7. The Hanoi Art Market and the Global Artist -- 8. Conclusion Past and Present in the Hanoi Art World -- Appendix -- Notes -- Bibliography -- Index -- About the Author

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Painting has played a significant role in modern Vietnam. Postage stamps, billboards, and annual national exhibitions attest to its fundamental place in a country where painters may be hailed as national heroes and include among their number fervent nationalists, propagandists, even dissidents. As Vietnamese painting has gained prominence in the contemporary transnational art circuits of Southeast Asia, many artists have become millionaires, yet Vietnamese painting is generally overlooked in art history surveys of the region. Nora Taylor sets out here to change that. Painters in Hanoi engages with twentieth-century Vietnam through its artists and their works, providing a new angle on a country most often portrayed through the lens of war and politics. Drawing on interviews with artists, cultural officers, curators, art critics, and others in Hanoi, Taylor surveys the impact artists have had on intellectual life in Vietnam. The book shows them within their own complex community, one fraught with tensions, politicking, and favoritism, yet also a sense of belonging. It describes their education, the role of the government in the arts, the rise and fall of individual artists, their influence as active players in the politics of place and gender, the audience for their work, and how tourism and the international art market have influenced it.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)