Library Catalog
Amazon cover image
Image from Amazon.com

Fragrant Orchid : The Story of My Early Life / Yoshiko Yamaguchi, Sakuya Fujiwara; ed. by Sheldon Hsiao-peng Lu.

By: Contributor(s): Material type: TextTextSeries: Critical InterventionsPublisher: Honolulu : University of Hawaii Press, [2015]Copyright date: ©2015Description: 1 online resource (424 p.) : 31 illustrationsContent type:
Media type:
Carrier type:
ISBN:
  • 9780824854041
Subject(s): DDC classification:
  • 791
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Notes on Translation -- Chronology -- Introduction. Yamaguchi Yoshiko in War time East Asia: Transnational Stardom and Its Predicaments -- 1. My Fushun Years -- 2. My Fengtian Years -- 3. My Beijing Years -- 4. The Tianjin Encounters -- 5. The Birth of Li Xianglan -- 6. My Xinjing Years -- 7. The Days of “The Suzhou Serenade” -- 8. The Nichigeki Incident -- 9. The Spring of My Youth -- 10. The Two Yoshikos -- 11. Two Phantom Films: Yellow River and My Nightingale -- 12. Glory to Eternity -- 13. Rhapsody of “The Evening Primrose” -- 14. Shanghai, 1945 -- 15. Farewell, Li Xianglan -- Addendum: The Post–Li Xianglan Years -- Postscript: Yamaguchi Yoshiko -- Postscript: Fujiwara Sakuya -- Notes -- Filmography -- Index -- About the Translator
Summary: The acclaimed actress and legendary singer, Yamaguchi Yoshiko (aka Li Xianglan, 1920-2014), emerged from Japan-occupied Manchuria to become a transnational star during the Second Sino-Japanese war. Born to Japanese parents, raised in Manchuria, and educated in Beijing, the young Yamaguchi learned to speak impeccable Mandarin Chinese and received professional training in operatic singing. When recruited by the Manchurian Film Association in 1939 to act in "national policy" films in the service of Japanese imperialism in China, she allowed herself to be presented as a Chinese, effectively masking her Japanese identity in both her professional and private lives.Yamaguchi soon became an unprecedented transnational phenomenon in Manchuria, Shanghai, and Japan itself as the glamorous female lead in such well-known films as Song of the White Orchid (1939), China Nights (1940), Pledge in the Desert (1940), and Glory to Eternity (1943). Her signature songs, including "When Will You Return?" and "The Evening Primrose," swept East Asia in the waning years of the war and remained popular well into the postwar decades.Ironically, although her celebrated international stardom was without parallel in wartime East Asia, she remained a puppet within a puppet state, choreographed at every turn by Japanese film studios in accordance with the expediencies of Japan's continental policy. In a dramatic turn of events after Japan's defeat, she was placed under house arrest in Shanghai by the Chinese Nationalist forces and barely escaped execution as a traitor to China. Her complex and intriguing life story as a convenient pawn, willing instrument, and tormented victim of Japan's imperialist ideology is told in her bestselling autobiography, translated here in full for the first time in English. An addendum reveals her postwar career in Hollywood and Broadway in the 1950s, her friendship with Charlie Chaplin, her first marriage to Isamu Noguchi, and her postwar life as singer, actress, political figure, television celebrity, and private citizen. A substantial introduction by Chia-ning Chang contextualizes Yamaguchi's life and career within the historical and cultural zeitgeist of wartime Manchuria, Japan, and China and the postwar controversies surrounding her life in East Asia.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780824854041

Frontmatter -- Contents -- Notes on Translation -- Chronology -- Introduction. Yamaguchi Yoshiko in War time East Asia: Transnational Stardom and Its Predicaments -- 1. My Fushun Years -- 2. My Fengtian Years -- 3. My Beijing Years -- 4. The Tianjin Encounters -- 5. The Birth of Li Xianglan -- 6. My Xinjing Years -- 7. The Days of “The Suzhou Serenade” -- 8. The Nichigeki Incident -- 9. The Spring of My Youth -- 10. The Two Yoshikos -- 11. Two Phantom Films: Yellow River and My Nightingale -- 12. Glory to Eternity -- 13. Rhapsody of “The Evening Primrose” -- 14. Shanghai, 1945 -- 15. Farewell, Li Xianglan -- Addendum: The Post–Li Xianglan Years -- Postscript: Yamaguchi Yoshiko -- Postscript: Fujiwara Sakuya -- Notes -- Filmography -- Index -- About the Translator

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

The acclaimed actress and legendary singer, Yamaguchi Yoshiko (aka Li Xianglan, 1920-2014), emerged from Japan-occupied Manchuria to become a transnational star during the Second Sino-Japanese war. Born to Japanese parents, raised in Manchuria, and educated in Beijing, the young Yamaguchi learned to speak impeccable Mandarin Chinese and received professional training in operatic singing. When recruited by the Manchurian Film Association in 1939 to act in "national policy" films in the service of Japanese imperialism in China, she allowed herself to be presented as a Chinese, effectively masking her Japanese identity in both her professional and private lives.Yamaguchi soon became an unprecedented transnational phenomenon in Manchuria, Shanghai, and Japan itself as the glamorous female lead in such well-known films as Song of the White Orchid (1939), China Nights (1940), Pledge in the Desert (1940), and Glory to Eternity (1943). Her signature songs, including "When Will You Return?" and "The Evening Primrose," swept East Asia in the waning years of the war and remained popular well into the postwar decades.Ironically, although her celebrated international stardom was without parallel in wartime East Asia, she remained a puppet within a puppet state, choreographed at every turn by Japanese film studios in accordance with the expediencies of Japan's continental policy. In a dramatic turn of events after Japan's defeat, she was placed under house arrest in Shanghai by the Chinese Nationalist forces and barely escaped execution as a traitor to China. Her complex and intriguing life story as a convenient pawn, willing instrument, and tormented victim of Japan's imperialist ideology is told in her bestselling autobiography, translated here in full for the first time in English. An addendum reveals her postwar career in Hollywood and Broadway in the 1950s, her friendship with Charlie Chaplin, her first marriage to Isamu Noguchi, and her postwar life as singer, actress, political figure, television celebrity, and private citizen. A substantial introduction by Chia-ning Chang contextualizes Yamaguchi's life and career within the historical and cultural zeitgeist of wartime Manchuria, Japan, and China and the postwar controversies surrounding her life in East Asia.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2024)