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The Seven Tengu Scrolls : Evil and the Rhetoric of Legitimacy in Medieval Japanese Buddhism / Haruko Wakabayashi.

By: Material type: TextTextPublisher: Honolulu : University of Hawaii Press, [2012]Copyright date: ©2012Description: 1 online resource (224 p.) : 32 b&w images, 4 color platesContent type:
Media type:
Carrier type:
ISBN:
  • 9780824834166
  • 9780824861148
Subject(s): DDC classification:
  • 290
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- 1. Tengu And Buddhist Concepts Of Evil -- 1. From Malign Spirit To Manifestation Of Ma -- 2. Tengudō, The Realm Of Tengu -- 2. Reading The Tengu Zōshi -- 3. Structure And Relationship To Existing Variant Scrolls -- 4. Critique Of Kamakura Buddhism -- 5. The Onjōji Scroll And The Question Of Authorship -- 6. The Definition Of Ma -- Conclusion -- Appendix Comparative Table Of The Onjōji Scroll And The 1319 Petition -- Abbreviations -- Notes -- Bibliography -- Index
Summary: This is a study of visual and textual images of the mythical creature tengu from the late Heian (897-1185) to the late Kamakura (1185-1333) periods. Popularly depicted as half-bird, half-human creatures with beaks or long noses, wings, and human bodies, tengu today are commonly seen as guardian spirits associated with the mountain ascetics known as yamabushi. In the medieval period, however, the character of tengu most often had a darker, more malevolent aspect. Haruko Wakabashi focuses in this study particularly on tengu as manifestations of the Buddhist concept of Māra (or ma), the personification of evil in the form of the passions and desires that are obstacles to enlightenment. Her larger aim is to investigate the use of evil in the rhetoric of Buddhist institutions of medieval Japan. Through a close examination of tengu that appear in various forms and contexts, Wakabayashi considers the functions of a discourse on evil as defined by the Buddhist clergy to justify their position and marginalize others.Early chapters discuss Buddhist appropriations of tengu during the late twelfth and thirteenth centuries in relation to the concept of ma. Multiple interpretations of ma developed in response to changes in society and challenges to the Buddhist community, which recruited tengu in its efforts to legitimize its institutions. The highlight of the work discusses in detail the thirteenth-century narrative scroll Tengu zōshi (also known as the Shichi Tengu-e, or the Seven Tengu Scrolls), in which monks from prominent temples in Nara and Kyoto and leaders of "new" Buddhist sects (Pure Land and Zen) are depicted as tengu. Through a close analysis of the Tengu zōshi's pictures and text, the author reveals one aspect of the critique against Kamakura Buddhism and how tengu images were used to express this in the late thirteenth century. She concludes with a reexamination of the meaning of tengu and a discussion of how ma was essentially socially constructed not only to explain the problems that plague this world, but also to justify the existence of an institution that depended on the presence of evil for its survival.Drawing on a wide range of primary sources, Wakabayashi provides a thoughtful and innovative analysis of history and religion through art. The Seven Tengu Scrolls will therefore appeal to those with an interest in Japanese art, history, and religion, as well as in interdisciplinary approaches to socio-cultural history.

Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- 1. Tengu And Buddhist Concepts Of Evil -- 1. From Malign Spirit To Manifestation Of Ma -- 2. Tengudō, The Realm Of Tengu -- 2. Reading The Tengu Zōshi -- 3. Structure And Relationship To Existing Variant Scrolls -- 4. Critique Of Kamakura Buddhism -- 5. The Onjōji Scroll And The Question Of Authorship -- 6. The Definition Of Ma -- Conclusion -- Appendix Comparative Table Of The Onjōji Scroll And The 1319 Petition -- Abbreviations -- Notes -- Bibliography -- Index

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This is a study of visual and textual images of the mythical creature tengu from the late Heian (897-1185) to the late Kamakura (1185-1333) periods. Popularly depicted as half-bird, half-human creatures with beaks or long noses, wings, and human bodies, tengu today are commonly seen as guardian spirits associated with the mountain ascetics known as yamabushi. In the medieval period, however, the character of tengu most often had a darker, more malevolent aspect. Haruko Wakabashi focuses in this study particularly on tengu as manifestations of the Buddhist concept of Māra (or ma), the personification of evil in the form of the passions and desires that are obstacles to enlightenment. Her larger aim is to investigate the use of evil in the rhetoric of Buddhist institutions of medieval Japan. Through a close examination of tengu that appear in various forms and contexts, Wakabayashi considers the functions of a discourse on evil as defined by the Buddhist clergy to justify their position and marginalize others.Early chapters discuss Buddhist appropriations of tengu during the late twelfth and thirteenth centuries in relation to the concept of ma. Multiple interpretations of ma developed in response to changes in society and challenges to the Buddhist community, which recruited tengu in its efforts to legitimize its institutions. The highlight of the work discusses in detail the thirteenth-century narrative scroll Tengu zōshi (also known as the Shichi Tengu-e, or the Seven Tengu Scrolls), in which monks from prominent temples in Nara and Kyoto and leaders of "new" Buddhist sects (Pure Land and Zen) are depicted as tengu. Through a close analysis of the Tengu zōshi's pictures and text, the author reveals one aspect of the critique against Kamakura Buddhism and how tengu images were used to express this in the late thirteenth century. She concludes with a reexamination of the meaning of tengu and a discussion of how ma was essentially socially constructed not only to explain the problems that plague this world, but also to justify the existence of an institution that depended on the presence of evil for its survival.Drawing on a wide range of primary sources, Wakabayashi provides a thoughtful and innovative analysis of history and religion through art. The Seven Tengu Scrolls will therefore appeal to those with an interest in Japanese art, history, and religion, as well as in interdisciplinary approaches to socio-cultural history.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)