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Making Merit, Making Art : A Thai Temple in Wimbledon / Sandra Cate.

By: Material type: TextTextPublisher: Honolulu : University of Hawaii Press, [2002]Copyright date: ©2002Description: 1 online resource (232 p.) : 54 illus., 50 in colorContent type:
Media type:
Carrier type:
ISBN:
  • 9780824823573
  • 9780824863456
Subject(s): DDC classification:
  • 755/.943/0942193 22
LOC classification:
  • ND2731.L66 C38 2003eb
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- Notes on Transliteration -- Preface -- 1. Finding a Place -- 2. Long-Distance Merit-Making -- 3. Thai Art and the Authority of the Past -- 4. From Buddhist Stories to Modern Art -- 5. "Going Outside" and the Experience of Modernity -- 6. Art, Identity, and Performance -- 7. Tourists and Templegoers, Religion and Art -- Notes -- Glossary -- Bibliography -- Index
Summary: Sandra Cate's pioneering ethnography of art-making at Wat Buddhapadipa, a Thai Buddhist temple in Wimbledon, England, explores contemporary art at the crossroads of identity, authority, and value. Between 1984 and 1992, twenty-six young Thai artists painted a series of temple murals that continue to attract worshippers and tourists from around the world. Their work, both celebrated and controversial, depicts stories from the Buddha's lives in otherworldly landscapes punctuated with sly references to this-worldly politics and popular culture. Schooled in international art trends, the artists reverse an Orientalist narrative of the Asian Other, telling their own stories to diverse audiences and subsuming Western spaces into a Buddhist worldview.In her investigation of temple murals as social portraiture, Cate looks at the ongoing dialectic between the "real" and the "imaginary" as mural painters depict visual and moral hierarchies of sentient beings. As they manipulate indigenous notions of sacred space and the creative process, the Wat Buddhapadipa muralists generate complex, expansive visions of social place and identity.

Frontmatter -- Contents -- Notes on Transliteration -- Preface -- 1. Finding a Place -- 2. Long-Distance Merit-Making -- 3. Thai Art and the Authority of the Past -- 4. From Buddhist Stories to Modern Art -- 5. "Going Outside" and the Experience of Modernity -- 6. Art, Identity, and Performance -- 7. Tourists and Templegoers, Religion and Art -- Notes -- Glossary -- Bibliography -- Index

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Sandra Cate's pioneering ethnography of art-making at Wat Buddhapadipa, a Thai Buddhist temple in Wimbledon, England, explores contemporary art at the crossroads of identity, authority, and value. Between 1984 and 1992, twenty-six young Thai artists painted a series of temple murals that continue to attract worshippers and tourists from around the world. Their work, both celebrated and controversial, depicts stories from the Buddha's lives in otherworldly landscapes punctuated with sly references to this-worldly politics and popular culture. Schooled in international art trends, the artists reverse an Orientalist narrative of the Asian Other, telling their own stories to diverse audiences and subsuming Western spaces into a Buddhist worldview.In her investigation of temple murals as social portraiture, Cate looks at the ongoing dialectic between the "real" and the "imaginary" as mural painters depict visual and moral hierarchies of sentient beings. As they manipulate indigenous notions of sacred space and the creative process, the Wat Buddhapadipa muralists generate complex, expansive visions of social place and identity.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)