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What's the Use of Art? : Asian Visual and Material Culture in Context / ed. by Morgan Pitelka, Jan Mrazek.

Contributor(s): Material type: TextTextPublisher: Honolulu : University of Hawaii Press, [2007]Copyright date: ©2007Description: 1 online resource (328 p.) : 52 illusContent type:
Media type:
Carrier type:
ISBN:
  • 9780824830632
  • 9780824865580
Subject(s): DDC classification:
  • 709.5 22
LOC classification:
  • NK1037 .W43 2008eb
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Acknowledgments -- Introduction: Wrapping and Unwrapping Art -- Functions -- One. From the Living Rock Understanding Figural Representation in Early South Asia -- Two. Disposable but Indispensable the Earthenware Vessel as Vehicle of Meaning In Japan -- Three. From the Wedding Chamber to the Museum Relocating the Ritual Arts of Madhubani -- Four. In the Realm of the Indigo Queen Dyeing, Exchange Magic, and the Elusive Tourist Dollar on Sumba -- Movements -- Five. Plunder, Markets, and Museums the Biographies of Chinese Imperial Objects in Europe and North America -- Six. Situating Moving Objects: A Sino-Japanese Catalogue of Imported Items, 800 Ce to the Present -- Memories -- Seven. Angkor Revisited the State of Statuary -- Eight. An Ancestral Keris, Balinese Kingship, and A Modern Presidency -- Nine. Raw Ingredients and Deposit Boxes in Balinese Sanctuaries: A Congruence of Obsessions -- Conclusion. Ways Of Experiencing: Art Art History, Television, And Javanese Wayang -- Contributors -- Index
Summary: Post-Enlightenment notions of culture, which have been naturalized in the West for centuries, require that art be autonomously beautiful, universal, and devoid of any practical purpose. The authors of this multidisciplinary volume seek to complicate this understanding of art by examining art objects from across Asia with attention to their functional, ritual, and everyday contexts. From tea bowls used in the Japanese tea ceremony to television broadcasts of Javanese puppet theater; from Indian wedding chamber paintings to art looted by the British army from the Chinese emperor’s palace; from the adventures of a Balinese magical dagger to the political functions of classical Khmer images—the authors challenge prevailing notions of artistic value by introducing new ways of thinking about culture.The chapters consider art objects as they are involved in the world: how they operate and are experienced in specific sites, collections, rituals, performances, political and religious events and imagination, and in individual peoples’ lives; how they move from one context to another and change meaning and value in the process (for example, when they are collected, traded, and looted or when their images appear in art history textbooks); how their memories and pasts are or are not part of their meaning and experience. Rather than lead to a single universalizing definition of art, the essays offer multiple, divergent, and case-specific answers to the question "What is the use of art?" and argue for the need to study art as it is used and experienced.Contributors: Cynthea J. Bogel, Louise Cort, Richard H. Davis, Robert DeCaroli, James L. Hevia, Janet Hoskins, Kaja McGowan, Jan Mrázek, Lene Pedersen, Morgan Pitelka, Ashley Thompson.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780824865580

Frontmatter -- Contents -- Acknowledgments -- Introduction: Wrapping and Unwrapping Art -- Functions -- One. From the Living Rock Understanding Figural Representation in Early South Asia -- Two. Disposable but Indispensable the Earthenware Vessel as Vehicle of Meaning In Japan -- Three. From the Wedding Chamber to the Museum Relocating the Ritual Arts of Madhubani -- Four. In the Realm of the Indigo Queen Dyeing, Exchange Magic, and the Elusive Tourist Dollar on Sumba -- Movements -- Five. Plunder, Markets, and Museums the Biographies of Chinese Imperial Objects in Europe and North America -- Six. Situating Moving Objects: A Sino-Japanese Catalogue of Imported Items, 800 Ce to the Present -- Memories -- Seven. Angkor Revisited the State of Statuary -- Eight. An Ancestral Keris, Balinese Kingship, and A Modern Presidency -- Nine. Raw Ingredients and Deposit Boxes in Balinese Sanctuaries: A Congruence of Obsessions -- Conclusion. Ways Of Experiencing: Art Art History, Television, And Javanese Wayang -- Contributors -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Post-Enlightenment notions of culture, which have been naturalized in the West for centuries, require that art be autonomously beautiful, universal, and devoid of any practical purpose. The authors of this multidisciplinary volume seek to complicate this understanding of art by examining art objects from across Asia with attention to their functional, ritual, and everyday contexts. From tea bowls used in the Japanese tea ceremony to television broadcasts of Javanese puppet theater; from Indian wedding chamber paintings to art looted by the British army from the Chinese emperor’s palace; from the adventures of a Balinese magical dagger to the political functions of classical Khmer images—the authors challenge prevailing notions of artistic value by introducing new ways of thinking about culture.The chapters consider art objects as they are involved in the world: how they operate and are experienced in specific sites, collections, rituals, performances, political and religious events and imagination, and in individual peoples’ lives; how they move from one context to another and change meaning and value in the process (for example, when they are collected, traded, and looted or when their images appear in art history textbooks); how their memories and pasts are or are not part of their meaning and experience. Rather than lead to a single universalizing definition of art, the essays offer multiple, divergent, and case-specific answers to the question "What is the use of art?" and argue for the need to study art as it is used and experienced.Contributors: Cynthea J. Bogel, Louise Cort, Richard H. Davis, Robert DeCaroli, James L. Hevia, Janet Hoskins, Kaja McGowan, Jan Mrázek, Lene Pedersen, Morgan Pitelka, Ashley Thompson.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)