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Modern Kyoto : Building for Ceremony and Commemoration, 1868-1940 / Alice Y. Tseng.

By: Material type: TextTextSeries: Spatial Habitus: Making and Meaning in Asia's ArchitecturePublisher: Honolulu : University of Hawaii Press, [2018]Copyright date: ©2018Description: 1 online resource (296 p.) : 74 illustrations, 35 in colorContent type:
Media type:
Carrier type:
ISBN:
  • 9780824873752
  • 9780824876449
Subject(s): DDC classification:
  • 720.9521864
LOC classification:
  • NA1557.K9
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Measurements and Conventions -- Introduction -- Chapter One: A New Imperial Garden and Imperial Shrine -- Chapter Two: Beginnings of a Cultural Park in Okazaki -- Chapter Three: Enthronements and Exhibitions -- Chapter Four: Commemorative Projects as Urban Landmarks -- Epilogue -- Notes -- Selected Bibliography -- Index
Summary: Can an imperial city survive, let alone thrive, without an emperor? Alice Y. Tseng answers this intriguing question in Modern Kyoto, a comprehensive study of the architectural and urban projects carried out in the old capital following Emperor Meiji's move to Tokyo in 1868. Tseng contends that Kyoto-from the time of the relocation to the height of the Asia-Pacific War-remained critical to Japan's emperor-centered national agenda as politicians, planners, historians, and architects mobilized the city's historical connection to the imperial house to develop new public architecture, infrastructure, and urban spaces. Royal births, weddings, enthronements, and funerals throughout the period served as catalysts for fashioning a monumental modern city fit for hosting commemorative events for an eager domestic and international audience.Using a wide range of visual material (including architectural plans, postcards, commercial maps, and guidebooks), Tseng traces the development of four core areas of Kyoto: the palaces in the center, the Okazaki Park area in the east, the Kyoto Station area in the south, and the Kitayama district in the north. She offers an unprecedented framework that correlates nation building, civic boosterism, and emperor reverence to explore a diverse body of built works. Interlinking microhistories of the Imperial Garden, Heian Shrine, Lake Biwa Canal, the prefectural library, zoological and botanical gardens, main railway station, and municipal art museum, among others, her work asserts Kyoto's vital position as a multifaceted center of culture and patriotism in the expanding Japanese empire. Richly illustrated with many never-before-published photographs and archival sources, Modern Kyoto challenges readers to look beyond Tokyo for signposts of Japan's urban modernity and opens up the study of modern emperors to incorporate fully built environments and spatial practices dedicated in their name.

Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Measurements and Conventions -- Introduction -- Chapter One: A New Imperial Garden and Imperial Shrine -- Chapter Two: Beginnings of a Cultural Park in Okazaki -- Chapter Three: Enthronements and Exhibitions -- Chapter Four: Commemorative Projects as Urban Landmarks -- Epilogue -- Notes -- Selected Bibliography -- Index

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Can an imperial city survive, let alone thrive, without an emperor? Alice Y. Tseng answers this intriguing question in Modern Kyoto, a comprehensive study of the architectural and urban projects carried out in the old capital following Emperor Meiji's move to Tokyo in 1868. Tseng contends that Kyoto-from the time of the relocation to the height of the Asia-Pacific War-remained critical to Japan's emperor-centered national agenda as politicians, planners, historians, and architects mobilized the city's historical connection to the imperial house to develop new public architecture, infrastructure, and urban spaces. Royal births, weddings, enthronements, and funerals throughout the period served as catalysts for fashioning a monumental modern city fit for hosting commemorative events for an eager domestic and international audience.Using a wide range of visual material (including architectural plans, postcards, commercial maps, and guidebooks), Tseng traces the development of four core areas of Kyoto: the palaces in the center, the Okazaki Park area in the east, the Kyoto Station area in the south, and the Kitayama district in the north. She offers an unprecedented framework that correlates nation building, civic boosterism, and emperor reverence to explore a diverse body of built works. Interlinking microhistories of the Imperial Garden, Heian Shrine, Lake Biwa Canal, the prefectural library, zoological and botanical gardens, main railway station, and municipal art museum, among others, her work asserts Kyoto's vital position as a multifaceted center of culture and patriotism in the expanding Japanese empire. Richly illustrated with many never-before-published photographs and archival sources, Modern Kyoto challenges readers to look beyond Tokyo for signposts of Japan's urban modernity and opens up the study of modern emperors to incorporate fully built environments and spatial practices dedicated in their name.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)