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The Future of Indigenous Museums : Perspectives from the Southwest Pacific / ed. by Nick Stanley.

Contributor(s): Material type: TextTextSeries: Museums and Collections ; 1Publisher: New York ; Oxford : Berghahn Books, [2007]Copyright date: ©2007Description: 1 online resource (272 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9781845451882
  • 9780857455727
Subject(s): DDC classification:
  • 069.0995 22
LOC classification:
  • GN36.O34
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- List of Figures -- Editorial Preface -- Introduction Indigeneity and Museum Practice in the Southwest Pacific -- Part I Island Melanesia -- 1 Resourcing Change: Fieldworkers, the Women’s Culture Project and the Vanuatu Cultural Centre -- 2 The Future of Indigenous Museums: The Solomon Islands Case -- 3 Dangerous Heritage: Southern New Ireland, the Museum and the Display of the Past -- 4 Memory, Violence and Representation in the Tjibaou Cultural Centre, New Caledonia -- 5 Tourism and Indigenous Curation of Culture in Lifou, New Caledonia -- Part II Northern Australia -- 6 The Journey of the Stars: Gab Titui, a Cultural Centre for the Torres Strait -- 7 ‘Quite Another World of Aboriginal Life’: Indigenous People in an Evolving Museumscape -- Part III New Guinea -- 8 The Papua New Guinea National Museum and Art Gallery as a Modern Haus Tumbuna -- 9 Moving the Centre: Christianity, the Longhouse and the Gogodala Cultural Centre -- 10 Indigenous Responses to Political and Economic Challenges: the Babek Bema Yoma at Teptep, Papua New Guinea -- 11 Can Museums become Indigenous? The Asmat Museum of Culture and Progress and Contemporary Papua -- Part IV Reflections on the Future of Indigenous Museums -- 12 The Transformation of Cultural Centres in Papua New Guinea -- 13 The Theoretical Future of Indigenous Museums: Concept and Practice -- Notes on Contributors -- Bibliography -- Index
Summary: Indigenous museums and cultural centres have sprung up across the developing world, and particularly in the Southwest Pacific. They derive from a number of motives, ranging from the commercial to the cultural political (and many combine both). A close study of this phenomenon is not only valuable for museological practice but, as has been argued, it may challenge our current bedrock assumptions about the very nature and purpose of the museum. This book looks to the future of museum practice through examining how museums have evolved particularly in the non-western world to incorporate the present and the future in the display of culture. Of particular concern is the uses to which historic records are put in the service of community development and cultural renaissance.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780857455727

Frontmatter -- Contents -- List of Figures -- Editorial Preface -- Introduction Indigeneity and Museum Practice in the Southwest Pacific -- Part I Island Melanesia -- 1 Resourcing Change: Fieldworkers, the Women’s Culture Project and the Vanuatu Cultural Centre -- 2 The Future of Indigenous Museums: The Solomon Islands Case -- 3 Dangerous Heritage: Southern New Ireland, the Museum and the Display of the Past -- 4 Memory, Violence and Representation in the Tjibaou Cultural Centre, New Caledonia -- 5 Tourism and Indigenous Curation of Culture in Lifou, New Caledonia -- Part II Northern Australia -- 6 The Journey of the Stars: Gab Titui, a Cultural Centre for the Torres Strait -- 7 ‘Quite Another World of Aboriginal Life’: Indigenous People in an Evolving Museumscape -- Part III New Guinea -- 8 The Papua New Guinea National Museum and Art Gallery as a Modern Haus Tumbuna -- 9 Moving the Centre: Christianity, the Longhouse and the Gogodala Cultural Centre -- 10 Indigenous Responses to Political and Economic Challenges: the Babek Bema Yoma at Teptep, Papua New Guinea -- 11 Can Museums become Indigenous? The Asmat Museum of Culture and Progress and Contemporary Papua -- Part IV Reflections on the Future of Indigenous Museums -- 12 The Transformation of Cultural Centres in Papua New Guinea -- 13 The Theoretical Future of Indigenous Museums: Concept and Practice -- Notes on Contributors -- Bibliography -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Indigenous museums and cultural centres have sprung up across the developing world, and particularly in the Southwest Pacific. They derive from a number of motives, ranging from the commercial to the cultural political (and many combine both). A close study of this phenomenon is not only valuable for museological practice but, as has been argued, it may challenge our current bedrock assumptions about the very nature and purpose of the museum. This book looks to the future of museum practice through examining how museums have evolved particularly in the non-western world to incorporate the present and the future in the display of culture. Of particular concern is the uses to which historic records are put in the service of community development and cultural renaissance.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)