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Upward Mobility and the Common Good : Toward a Literary History of the Welfare State / Bruce Robbins.

By: Material type: TextTextPublisher: Princeton, NJ : Princeton University Press, [2009]Copyright date: ©2007Edition: Course BookDescription: 1 online resourceContent type:
Media type:
Carrier type:
ISBN:
  • 9780691146638
  • 9781400827657
Subject(s): Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- PREFACE. Someone Else'S Life -- Introduction. The Fairy Godmother -- Chapter One. Erotic Patronage: Rousseau, Constant, Balzac, Stendhal -- Chapter Two. How to be a Benefactor Without Any Money -- Chapter Three. "It'S Not Your Fault": Therapy and Irresponsibility -- Chapter Four. A Portrait of the Artist as a Rentier -- Chapter Five. The Health Visitor -- Chapter Six. On the Persistence of Anger in the Institutions of Caring -- Conclusion. The Luck of Birth and the International Division of Labor -- Notes -- Index
Summary: We think we know what upward mobility stories are about--virtuous striving justly rewarded, or unprincipled social climbing regrettably unpunished. Either way, these stories seem obviously concerned with the self-making of self-reliant individuals rather than with any collective interest. In Upward Mobility and the Common Good, Bruce Robbins completely overturns these assumptions to expose a hidden tradition of erotic social interdependence at the heart of the literary canon. Reinterpreting novels by figures such as Balzac, Stendhal, Charlotte Brontë, Dickens, Dreiser, Wells, Doctorow, and Ishiguro, along with a number of films, Robbins shows how deeply the material and erotic desires of upwardly mobile characters are intertwined with the aid they receive from some sort of benefactor or mentor. In his view, Hannibal Lecter of The Silence of the Lambs becomes a key figure of social mobility in our time. Robbins argues that passionate and ambiguous relationships (like that between Lecter and Clarice Starling) carry the upward mobility story far from anyone's simple self-interest, whether the protagonist's or the mentor's. Robbins concludes that upward mobility stories have paradoxically helped American and European society make the transition from an ethic of individual responsibility to one of collective accountability, a shift that made the welfare state possible, but that also helps account for society's fascination with cases of sexual abuse and harassment by figures of authority.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781400827657

Frontmatter -- Contents -- PREFACE. Someone Else'S Life -- Introduction. The Fairy Godmother -- Chapter One. Erotic Patronage: Rousseau, Constant, Balzac, Stendhal -- Chapter Two. How to be a Benefactor Without Any Money -- Chapter Three. "It'S Not Your Fault": Therapy and Irresponsibility -- Chapter Four. A Portrait of the Artist as a Rentier -- Chapter Five. The Health Visitor -- Chapter Six. On the Persistence of Anger in the Institutions of Caring -- Conclusion. The Luck of Birth and the International Division of Labor -- Notes -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

We think we know what upward mobility stories are about--virtuous striving justly rewarded, or unprincipled social climbing regrettably unpunished. Either way, these stories seem obviously concerned with the self-making of self-reliant individuals rather than with any collective interest. In Upward Mobility and the Common Good, Bruce Robbins completely overturns these assumptions to expose a hidden tradition of erotic social interdependence at the heart of the literary canon. Reinterpreting novels by figures such as Balzac, Stendhal, Charlotte Brontë, Dickens, Dreiser, Wells, Doctorow, and Ishiguro, along with a number of films, Robbins shows how deeply the material and erotic desires of upwardly mobile characters are intertwined with the aid they receive from some sort of benefactor or mentor. In his view, Hannibal Lecter of The Silence of the Lambs becomes a key figure of social mobility in our time. Robbins argues that passionate and ambiguous relationships (like that between Lecter and Clarice Starling) carry the upward mobility story far from anyone's simple self-interest, whether the protagonist's or the mentor's. Robbins concludes that upward mobility stories have paradoxically helped American and European society make the transition from an ethic of individual responsibility to one of collective accountability, a shift that made the welfare state possible, but that also helps account for society's fascination with cases of sexual abuse and harassment by figures of authority.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019)