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Lives of Indian Images / Richard H. Davis.

By: Material type: TextTextPublisher: Princeton, NJ : Princeton University Press, [2020]Copyright date: ©1997Description: 1 online resource (352 p.) : 50 halftonesContent type:
Media type:
Carrier type:
ISBN:
  • 9781400844425
Subject(s): DDC classification:
  • 730/.954 20
LOC classification:
  • NB1912.H55 D38 1997
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Translation and Transliteration -- Abbreviations -- Introduction -- 1. Living Images -- 2. Trophies of War -- 3. Images Overthrown -- 4. Visnu's Miraculous Returns -- 5. Indian Images Collected -- 6. Reconstructions of Somanatha -- 7. Loss and Recovery of Ritual Self -- Conclusion: Identities and Manifestations -- Notes -- Bibliography -- Bibliographic Appendix -- Index
Summary: For many centuries, Hindus have taken it for granted that the religious images they place in temples and home shrines for purposes of worship are alive. Hindu priests bring them to life through a complex ritual "establishment" that invokes the god or goddess into material support. Priests and devotees then maintain the enlivened image as a divine person through ongoing liturgical activity: they must awaken it in the morning, bathe it, dress it, feed it, entertain it, praise it, and eventually put it to bed at night. In this linked series of case studies of Hindu religious objects, Richard Davis argues that in some sense these believers are correct: through ongoing interactions with humans, religious objects are brought to life.Davis draws largely on reader-response literary theory and anthropological approaches to the study of objects in society in order to trace the biographies of Indian religious images over many centuries. He shows that Hindu priests and worshipers are not the only ones to enliven images. Bringing with them differing religious assumptions, political agendas, and economic motivations, others may animate the very same objects as icons of sovereignty, as polytheistic "idols," as "devils," as potentially lucrative commodities, as objects of sculptural art, or as symbols for a whole range of new meanings never foreseen by the images' makers or original worshipers.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781400844425

Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Translation and Transliteration -- Abbreviations -- Introduction -- 1. Living Images -- 2. Trophies of War -- 3. Images Overthrown -- 4. Visnu's Miraculous Returns -- 5. Indian Images Collected -- 6. Reconstructions of Somanatha -- 7. Loss and Recovery of Ritual Self -- Conclusion: Identities and Manifestations -- Notes -- Bibliography -- Bibliographic Appendix -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

For many centuries, Hindus have taken it for granted that the religious images they place in temples and home shrines for purposes of worship are alive. Hindu priests bring them to life through a complex ritual "establishment" that invokes the god or goddess into material support. Priests and devotees then maintain the enlivened image as a divine person through ongoing liturgical activity: they must awaken it in the morning, bathe it, dress it, feed it, entertain it, praise it, and eventually put it to bed at night. In this linked series of case studies of Hindu religious objects, Richard Davis argues that in some sense these believers are correct: through ongoing interactions with humans, religious objects are brought to life.Davis draws largely on reader-response literary theory and anthropological approaches to the study of objects in society in order to trace the biographies of Indian religious images over many centuries. He shows that Hindu priests and worshipers are not the only ones to enliven images. Bringing with them differing religious assumptions, political agendas, and economic motivations, others may animate the very same objects as icons of sovereignty, as polytheistic "idols," as "devils," as potentially lucrative commodities, as objects of sculptural art, or as symbols for a whole range of new meanings never foreseen by the images' makers or original worshipers.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)