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The Age of the Crisis of Man : Thought and Fiction in America, 1933-1973 / Mark Greif.

By: Material type: TextTextPublisher: Princeton, NJ : Princeton University Press, [2015]Copyright date: ©2015Edition: Pilot project. eBook available to selected US libraries onlyDescription: 1 online resourceContent type:
Media type:
Carrier type:
ISBN:
  • 9780691146393
  • 9781400852109
Subject(s): DDC classification:
  • 813/.509 23
LOC classification:
  • PS379 .G73 2015eb
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- Preface -- Part I. Genesis -- CHAPTER 1. Introduction -- CHAPTER 2. Currents through the War -- CHAPTER 3. The End of the War and After -- PART II. Transmission -- CHAPTER 4. Criticism and the Literary Crisis of Man -- PART III. Studies in Fiction -- CHAPTER 5. Saul Bellow and Ralph Ellison -- CHAPTER 6. Ralph Ellison and Saul Bellow -- CHAPTER 7. Flannery O'Connor and Faith -- CHAPTER 8. Thomas Pynchon and Technology -- PART IV. Transmutation -- CHAPTER 9. The Sixties as Big Bang -- CHAPTER 10. Universal Philosophy and Antihumanist Theory -- CONCLUSION. Moral History and the Twentieth Century -- Notes -- Acknowledgments -- Index
Summary: In a midcentury American cultural episode forgotten today, intellectuals of all schools shared a belief that human nature was under threat. The immediate result was a glut of dense, abstract books on the "nature of man." But the dawning "age of the crisis of man," as Mark Greif calls it, was far more than a historical curiosity. In this ambitious intellectual and literary history, Greif recovers this lost line of thought to show how it influenced society, politics, and culture before, during, and long after World War II.During the 1930s and 1940s, fears of the barbarization of humanity energized New York intellectuals, Chicago protoconservatives, European Jewish émigrés, and native-born bohemians to seek "re-enlightenment," a new philosophical account of human nature and history. After the war this effort diffused, leading to a rebirth of modern human rights and a new power for the literary arts.Critics' predictions of a "death of the novel" challenged writers to invest bloodless questions of human nature with flesh and detail. Hemingway, Faulkner, and Richard Wright wrote flawed novels of abstract man. Succeeding them, Ralph Ellison, Saul Bellow, Flannery O'Connor, and Thomas Pynchon constituted a new guard who tested philosophical questions against social realities-race, religious faith, and the rise of technology-that kept difference and diversity alive.By the 1960s, the idea of "universal man" gave way to moral antihumanism, as new sensibilities and social movements transformed what had come before. Greif's reframing of a foundational debate takes us beyond old antagonisms into a new future, and gives a prehistory to the fractures of our own era.

Frontmatter -- Contents -- Preface -- Part I. Genesis -- CHAPTER 1. Introduction -- CHAPTER 2. Currents through the War -- CHAPTER 3. The End of the War and After -- PART II. Transmission -- CHAPTER 4. Criticism and the Literary Crisis of Man -- PART III. Studies in Fiction -- CHAPTER 5. Saul Bellow and Ralph Ellison -- CHAPTER 6. Ralph Ellison and Saul Bellow -- CHAPTER 7. Flannery O'Connor and Faith -- CHAPTER 8. Thomas Pynchon and Technology -- PART IV. Transmutation -- CHAPTER 9. The Sixties as Big Bang -- CHAPTER 10. Universal Philosophy and Antihumanist Theory -- CONCLUSION. Moral History and the Twentieth Century -- Notes -- Acknowledgments -- Index

In a midcentury American cultural episode forgotten today, intellectuals of all schools shared a belief that human nature was under threat. The immediate result was a glut of dense, abstract books on the "nature of man." But the dawning "age of the crisis of man," as Mark Greif calls it, was far more than a historical curiosity. In this ambitious intellectual and literary history, Greif recovers this lost line of thought to show how it influenced society, politics, and culture before, during, and long after World War II.During the 1930s and 1940s, fears of the barbarization of humanity energized New York intellectuals, Chicago protoconservatives, European Jewish émigrés, and native-born bohemians to seek "re-enlightenment," a new philosophical account of human nature and history. After the war this effort diffused, leading to a rebirth of modern human rights and a new power for the literary arts.Critics' predictions of a "death of the novel" challenged writers to invest bloodless questions of human nature with flesh and detail. Hemingway, Faulkner, and Richard Wright wrote flawed novels of abstract man. Succeeding them, Ralph Ellison, Saul Bellow, Flannery O'Connor, and Thomas Pynchon constituted a new guard who tested philosophical questions against social realities-race, religious faith, and the rise of technology-that kept difference and diversity alive.By the 1960s, the idea of "universal man" gave way to moral antihumanism, as new sensibilities and social movements transformed what had come before. Greif's reframing of a foundational debate takes us beyond old antagonisms into a new future, and gives a prehistory to the fractures of our own era.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Mai 2019)