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Spenser and Literary Pictorialism / John B. Bender.

By: Material type: TextTextSeries: Princeton Legacy Library ; 1458Publisher: Princeton, NJ : Princeton University Press, [2015]Copyright date: ©1972Description: 1 online resource (232 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780691619637
  • 9781400867240
Subject(s): DDC classification:
  • 821/.3
LOC classification:
  • PR2364
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Preface -- FREQUENTLY CITED EDITIONS AND TRANSLATIONS -- CONTENTS -- CHAPTER ONE. INTRODUCTION -- CHAPTER TWO. DESCRIPTION AND PICTORIALISM : FOCUSING -- CHAPTER THREE. THE VISUAL FIELD: FRAMING -- CHAPTER FOUR. LARGER SIGHTS: SCANNING -- CHAPTER FIVE. PICTORIAL VISION IN THE POETRY OF SPENSER -- SELECTED BIBLIOGRAPHY -- INDEX
Summary: Focusing, framing, scanning-the language of film-and Gombrich's studies in the psychology of perception are used by John Bender to isolate pictorial effects and devices in literature. The theory that he proposes, grounded in his analysis of Spenser, "the painter of poets," discriminates between the descriptive and the pictorial in poetry.Originally published in 1972.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781400867240

Frontmatter -- Preface -- FREQUENTLY CITED EDITIONS AND TRANSLATIONS -- CONTENTS -- CHAPTER ONE. INTRODUCTION -- CHAPTER TWO. DESCRIPTION AND PICTORIALISM : FOCUSING -- CHAPTER THREE. THE VISUAL FIELD: FRAMING -- CHAPTER FOUR. LARGER SIGHTS: SCANNING -- CHAPTER FIVE. PICTORIAL VISION IN THE POETRY OF SPENSER -- SELECTED BIBLIOGRAPHY -- INDEX

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Focusing, framing, scanning-the language of film-and Gombrich's studies in the psychology of perception are used by John Bender to isolate pictorial effects and devices in literature. The theory that he proposes, grounded in his analysis of Spenser, "the painter of poets," discriminates between the descriptive and the pictorial in poetry.Originally published in 1972.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)