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The Great Feast of Language in Love's Labour's Lost / William C. Carroll.

By: Material type: TextTextSeries: Princeton Legacy Library ; 1700Publisher: Princeton, NJ : Princeton University Press, [2015]Copyright date: ©1976Description: 1 online resource (294 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780691616889
  • 9781400867653
Subject(s): DDC classification:
  • 822.3/3
LOC classification:
  • PR2822
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Acknowledgments -- Contents -- Note on Documentation -- Introduction -- CHAPTER ONE. The Great Feast -- CHAPTER TWO. Fheatricality -- CHAPTER THREE. Poets -- CHAPTER FOUR. Transformations -- CHAPTER FIVE. Living Art -- CHAPTER SIX. Hiems and Ver -- APPENDICES -- Appendix A -- Appendix Β -- List of Works Cited -- Related Works -- Notes -- Index -- Backmatter
Summary: This book contends that in Love's Labour's Lost Shakespeare sought to discover the ways in which the imagination uses and abuses language. The author's critical reading shows that the characters are endowed with a wide variety of rhetorical disguises. Each assumes that his verbal and social point of view is correct, and the limitations and virtues of each viewpoint are explored as the drama unfolds. In an elegant examination of theme and style, Professor Carroll heightens the reader's awareness of Shakespeare's marvellously inventive use of language. The author analyzes the different kinds of style, the characters' attitudes toward language, the play's theatrical modes, the frequent metamorphoses, and the debates. The term "debate"-justified by Shakespeare's use of the medieval conflictus-relates to both theme and structure. The author finds that the conflicting theories about the proper relation of language and imagination are resolved stylistically and thematically only in the final Debate between Spring and Winter, where the playwright reasserts the nature and value of good art.Originally published in 1976.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781400867653

Frontmatter -- Acknowledgments -- Contents -- Note on Documentation -- Introduction -- CHAPTER ONE. The Great Feast -- CHAPTER TWO. Fheatricality -- CHAPTER THREE. Poets -- CHAPTER FOUR. Transformations -- CHAPTER FIVE. Living Art -- CHAPTER SIX. Hiems and Ver -- APPENDICES -- Appendix A -- Appendix Β -- List of Works Cited -- Related Works -- Notes -- Index -- Backmatter

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

This book contends that in Love's Labour's Lost Shakespeare sought to discover the ways in which the imagination uses and abuses language. The author's critical reading shows that the characters are endowed with a wide variety of rhetorical disguises. Each assumes that his verbal and social point of view is correct, and the limitations and virtues of each viewpoint are explored as the drama unfolds. In an elegant examination of theme and style, Professor Carroll heightens the reader's awareness of Shakespeare's marvellously inventive use of language. The author analyzes the different kinds of style, the characters' attitudes toward language, the play's theatrical modes, the frequent metamorphoses, and the debates. The term "debate"-justified by Shakespeare's use of the medieval conflictus-relates to both theme and structure. The author finds that the conflicting theories about the proper relation of language and imagination are resolved stylistically and thematically only in the final Debate between Spring and Winter, where the playwright reasserts the nature and value of good art.Originally published in 1976.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)