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The Confidence Game in American Literature / Warwick Wadlington.

By: Material type: TextTextSeries: Princeton Legacy Library ; 1688Publisher: Princeton, NJ : Princeton University Press, [2015]Copyright date: ©1975Description: 1 online resource (346 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780691617718
  • 9781400871643
Subject(s): DDC classification:
  • 813/.009
LOC classification:
  • PS374.T7
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- Preface -- 1. Akin to Genesis -- PART ONE. Herman Melville: In Trust Nevertheless -- Introduction -- 2. Picaresque and Picturesque: Omoo, Typee, Mardi -- 3· Godly Gamesomeness: Self taste in Moby-Dick -- 4. Passion in Its Profoundest: Mardi Once More; Pierre and "Bartleby"; "Benito Cereno" -- 5. Hidden Suns and Phenomenal Men: The Confidence- Man, Billy Budd -- PART TWO. Mark Twain: The Authority of the Courtier -- Introduction -- 6. Idolatry Mad and Gentle: The Innocents Abroad, Roughing It -- 7· River Courtship: "Old Times on The Mississippi" -- 8. But I Never Said Nothing: The Adventures of Huckleberry Finn -- PART THREE. Nathanael West -- 9. Trick or Trash -- Coda -- Selected Bibliography -- Index -- Backmatter
Summary: Drawing on modern studies of rhetoric and the concept of the Trickster, the author examines Herman Melville, Mark Twain, and Nathanael West as creators of a fictive experience centered in deceptive or problematic transactions of confidence.The model of a confidence game, suggested by the writers' own thematic preoccupations, permits an analysis of the social motivations inherent in the fiction. The author concentrates on the process by which confidence is established and the ways in which deception leads to regeneration and an altered perception of authority. His approach increases our understanding of the interrelation between the writer, his reader, and the world each envisions.Warwick Wadlington examines individual texts, as well as the pattern of each writer's total work. His book distinctively combines an enlarging archetypal frame with rhetorical analysis of the writer-reader imaginative act. Treated as different forms of a coherent mode of fictive experience, the works of these important authors illuminate each other. Professor Wadlington's method results in decisively new readings of each text and contributes to a phenomenology of reading three writers whose works represent crucial "moments" in the artist-audience negotiation of mutual faith.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781400871643

Frontmatter -- Contents -- Preface -- 1. Akin to Genesis -- PART ONE. Herman Melville: In Trust Nevertheless -- Introduction -- 2. Picaresque and Picturesque: Omoo, Typee, Mardi -- 3· Godly Gamesomeness: Self taste in Moby-Dick -- 4. Passion in Its Profoundest: Mardi Once More; Pierre and "Bartleby"; "Benito Cereno" -- 5. Hidden Suns and Phenomenal Men: The Confidence- Man, Billy Budd -- PART TWO. Mark Twain: The Authority of the Courtier -- Introduction -- 6. Idolatry Mad and Gentle: The Innocents Abroad, Roughing It -- 7· River Courtship: "Old Times on The Mississippi" -- 8. But I Never Said Nothing: The Adventures of Huckleberry Finn -- PART THREE. Nathanael West -- 9. Trick or Trash -- Coda -- Selected Bibliography -- Index -- Backmatter

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Drawing on modern studies of rhetoric and the concept of the Trickster, the author examines Herman Melville, Mark Twain, and Nathanael West as creators of a fictive experience centered in deceptive or problematic transactions of confidence.The model of a confidence game, suggested by the writers' own thematic preoccupations, permits an analysis of the social motivations inherent in the fiction. The author concentrates on the process by which confidence is established and the ways in which deception leads to regeneration and an altered perception of authority. His approach increases our understanding of the interrelation between the writer, his reader, and the world each envisions.Warwick Wadlington examines individual texts, as well as the pattern of each writer's total work. His book distinctively combines an enlarging archetypal frame with rhetorical analysis of the writer-reader imaginative act. Treated as different forms of a coherent mode of fictive experience, the works of these important authors illuminate each other. Professor Wadlington's method results in decisively new readings of each text and contributes to a phenomenology of reading three writers whose works represent crucial "moments" in the artist-audience negotiation of mutual faith.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)