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Coleridge on the Language of Verse / Emerson R. Marks.

By: Material type: TextTextSeries: Princeton Essays in Literature ; 5099Publisher: Princeton, NJ : Princeton University Press, [2017]Copyright date: ©1981Description: 1 online resource (134 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9781400886401
Subject(s): DDC classification:
  • 801/.951 19
LOC classification:
  • PR4487.A35 M37 2017eb
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Preface -- I. Coleridge on Language -- II. The Language of Heaven -- III. The Universal Principle -- IV. Organic Mimesis and Poetic Art -- V. Tamers of the Chaos -- Index -- Backmatter
Summary: Drawing on the entire corpus of Coleridge's prose, Emerson Marks shows how the poet's rationale was grounded in the mimetic theory that informed his distinction between a copy and an imitation which Coleridge himself labeled the universal principle of the fine arts."Originally published in 1981.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781400886401

Frontmatter -- Contents -- Preface -- I. Coleridge on Language -- II. The Language of Heaven -- III. The Universal Principle -- IV. Organic Mimesis and Poetic Art -- V. Tamers of the Chaos -- Index -- Backmatter

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Drawing on the entire corpus of Coleridge's prose, Emerson Marks shows how the poet's rationale was grounded in the mimetic theory that informed his distinction between a copy and an imitation which Coleridge himself labeled the universal principle of the fine arts."Originally published in 1981.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)