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The Crisis-Woman : Body Politics and the Modern Woman in Fascist Italy / Natasha V. Chang.

By: Material type: TextTextSeries: Toronto Italian StudiesPublisher: Toronto : University of Toronto Press, [2015]Copyright date: ©2015Description: 1 online resource (176 p.) : 13 b&w illustrationsContent type:
Media type:
Carrier type:
ISBN:
  • 9781442649675
  • 9781442621190
Subject(s): DDC classification:
  • 305.42094509/043 23
LOC classification:
  • HQ1236.5.I8 C43 2015
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction: Who Is the Crisis-Woman? -- 1. The Donna-crisi and the Fashion World: From Revolution to Regulatory Ideal -- 2. Scientific Discourse and the Making of the Donna-crisi -- 3. Esci fuori, mattacchiona!: Satirical Representations of the Donna-crisi -- 4. Ideologies and Economies of Crisis -- Conclusion: The Decline of the Donna-crisi -- Appendixes: Lyrics and Captions -- Notes -- Bibliography -- Index
Summary: Femininity in the form of the donna-crisi, or “crisis-woman,” was a fixture of fascist propaganda in the early 1930s. A uniquely Italian representation of the modern woman, she was cosmopolitan, dangerously thin, and childless, the antithesis of the fascist feminine ideal – the flashpoint for a range of anxieties that included everything from the changing social roles of urban women to the slippage of stable racial boundaries between the Italian nation and its colonies.Using a rich assortment of scientific, medical, and popular literature, Natasha V. Chang’s The Crisis-Woman examines the donna-crisi’s position within the gendered body politics of fascist Italy. Challenging analyses of the era which treat modern and transgressive women as points of resistance to fascist power, Chang argues that the crisis-woman was an object of negativity within a gendered narrative of fascist modernity that pitted a sterile and decadent modernity against a healthy and fertile fascist one.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781442621190

Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction: Who Is the Crisis-Woman? -- 1. The Donna-crisi and the Fashion World: From Revolution to Regulatory Ideal -- 2. Scientific Discourse and the Making of the Donna-crisi -- 3. Esci fuori, mattacchiona!: Satirical Representations of the Donna-crisi -- 4. Ideologies and Economies of Crisis -- Conclusion: The Decline of the Donna-crisi -- Appendixes: Lyrics and Captions -- Notes -- Bibliography -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Femininity in the form of the donna-crisi, or “crisis-woman,” was a fixture of fascist propaganda in the early 1930s. A uniquely Italian representation of the modern woman, she was cosmopolitan, dangerously thin, and childless, the antithesis of the fascist feminine ideal – the flashpoint for a range of anxieties that included everything from the changing social roles of urban women to the slippage of stable racial boundaries between the Italian nation and its colonies.Using a rich assortment of scientific, medical, and popular literature, Natasha V. Chang’s The Crisis-Woman examines the donna-crisi’s position within the gendered body politics of fascist Italy. Challenging analyses of the era which treat modern and transgressive women as points of resistance to fascist power, Chang argues that the crisis-woman was an object of negativity within a gendered narrative of fascist modernity that pitted a sterile and decadent modernity against a healthy and fertile fascist one.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2023)