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Speaking Spirits : Ventriloquizing the Dead in Renaissance Italy / Sherry Roush.

By: Material type: TextTextSeries: Toronto Italian StudiesPublisher: Toronto : University of Toronto Press, [2015]Copyright date: ©2015Description: 1 online resource (280 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9781442650404
  • 9781442623019
Subject(s): DDC classification:
  • 850.9/375 23
LOC classification:
  • PQ4065 .R687 2015
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Acknowledgments -- Introduction. Eidolopoeia : Idol Making -- 1. Rewriting the Auctor : Revising according to the Text’s Letter or Spirit? -- 2. Divining Dante: Scandals of His Corpus and Corpse -- 3. Genius Loci : Exile, Citizenship, and the Place of Burial -- 4. Habeas Corpus, Habeas Spiritum : Some Not-So-Final Thoughts -- Notes -- Bibliography -- Index
Summary: In classical and early modern rhetoric, to write or speak using the voice of a dead individual is known as eidolopoeia. Whether through ghost stories, journeys to another world, or dream visions, Renaissance writers frequently used this rhetorical device not only to co-opt the authority of their predecessors but in order to express partisan or politically dangerous arguments.In Speaking Spirits, Sherry Roush presents the first systematic study of early modern Italian eidolopoeia. Expanding the study of Renaissance eidolopoeia beyond the well-known cases of the shades in Dante’s Commedia and the spirits of Boccaccio’s De casibus vivorum illustrium, Roush examines many other appearances of famous ghosts – invocations of Boccaccio by Vincenzo Bagli and Jacopo Caviceo, Girolamo Malipiero’s representation of Petrarch in Limbo, and Girolamo Benivieni’s ghostly voice of Pico della Mirandola. Through close readings of these eidolopoetic texts, she illuminates the important role that this rhetoric played in the literary, legal, and political history of Renaissance Italy.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781442623019

Frontmatter -- Contents -- Acknowledgments -- Introduction. Eidolopoeia : Idol Making -- 1. Rewriting the Auctor : Revising according to the Text’s Letter or Spirit? -- 2. Divining Dante: Scandals of His Corpus and Corpse -- 3. Genius Loci : Exile, Citizenship, and the Place of Burial -- 4. Habeas Corpus, Habeas Spiritum : Some Not-So-Final Thoughts -- Notes -- Bibliography -- Index

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http://purl.org/coar/access_right/c_16ec

In classical and early modern rhetoric, to write or speak using the voice of a dead individual is known as eidolopoeia. Whether through ghost stories, journeys to another world, or dream visions, Renaissance writers frequently used this rhetorical device not only to co-opt the authority of their predecessors but in order to express partisan or politically dangerous arguments.In Speaking Spirits, Sherry Roush presents the first systematic study of early modern Italian eidolopoeia. Expanding the study of Renaissance eidolopoeia beyond the well-known cases of the shades in Dante’s Commedia and the spirits of Boccaccio’s De casibus vivorum illustrium, Roush examines many other appearances of famous ghosts – invocations of Boccaccio by Vincenzo Bagli and Jacopo Caviceo, Girolamo Malipiero’s representation of Petrarch in Limbo, and Girolamo Benivieni’s ghostly voice of Pico della Mirandola. Through close readings of these eidolopoetic texts, she illuminates the important role that this rhetoric played in the literary, legal, and political history of Renaissance Italy.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2023)