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Post-TV : Piracy, Cord-Cutting, and the Future of Television / Michael Strangelove.

By: Material type: TextTextPublisher: Toronto : University of Toronto Press, [2018]Copyright date: ©2015Description: 1 online resource (360 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9781442646629
  • 9781442666184
Subject(s): DDC classification:
  • 302.23/45 23
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Acknowledgments -- Post-Tv Piracy, Cord-Cutting, And The Future Of Television -- Introduction -- 1. From The Remote Control To Out Of Control: Music Piracy And The Future Of Television -- 2. Television And Movie Piracy: Simple, Fast, And Free -- 3. Sports Television Piracy: They Stream. They Score! -- 4. Television’S Scariest Generation: Cord Cutters And Cord Nevers -- 5. Disruption: Viewing Habits Of The Post-Television Generation -- 6. Innovation: New Sources Of Competition For Online Audiences -- 7. Disintermediation: The Political Economy Of Television -- 8. Post-Television Society: Diversity, Citizenship, News, And Global Conflict -- Conclusion: Post-Television Culture -- Notes -- Bibliography -- Index
Summary: In the late 2000s, television no longer referred to an object to be watched; it had transformed into content to be streamed, downloaded, and shared. Tens of millions of viewers have “cut the cord,” abandoned cable television, tuned into online services like Netflix, Hulu, and YouTube, and also watch pirated movies and programmes at an unprecedented rate. The idea that the Internet will devastate the television and film industry in the same way that it gutted the music industry no longer seems farfetched. The television industry, however, remains driven by outmoded market-based business models that ignore audience behaviour and preferences.In Post-TV, Michael Strangelove explores the viewing habits and values of the post-television generation, one that finds new ways to exploit technology to find its entertainment for free, rather than for a fee. Challenging the notion that the audience is constrained by regulatory and industrial regimes, Strangelove argues that cord-cutting, digital piracy, increased competition, and new modes of production and distribution are making audiences and content more difficult to control, opening up the possibility of a freer, more democratic, media environment.A follow-up to the award-winning Watching YouTube, Post-TV is a lively examination of the social and economic implications of a world where people can watch what they want, when they want, wherever they want.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781442666184

Frontmatter -- Contents -- Acknowledgments -- Post-Tv Piracy, Cord-Cutting, And The Future Of Television -- Introduction -- 1. From The Remote Control To Out Of Control: Music Piracy And The Future Of Television -- 2. Television And Movie Piracy: Simple, Fast, And Free -- 3. Sports Television Piracy: They Stream. They Score! -- 4. Television’S Scariest Generation: Cord Cutters And Cord Nevers -- 5. Disruption: Viewing Habits Of The Post-Television Generation -- 6. Innovation: New Sources Of Competition For Online Audiences -- 7. Disintermediation: The Political Economy Of Television -- 8. Post-Television Society: Diversity, Citizenship, News, And Global Conflict -- Conclusion: Post-Television Culture -- Notes -- Bibliography -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

In the late 2000s, television no longer referred to an object to be watched; it had transformed into content to be streamed, downloaded, and shared. Tens of millions of viewers have “cut the cord,” abandoned cable television, tuned into online services like Netflix, Hulu, and YouTube, and also watch pirated movies and programmes at an unprecedented rate. The idea that the Internet will devastate the television and film industry in the same way that it gutted the music industry no longer seems farfetched. The television industry, however, remains driven by outmoded market-based business models that ignore audience behaviour and preferences.In Post-TV, Michael Strangelove explores the viewing habits and values of the post-television generation, one that finds new ways to exploit technology to find its entertainment for free, rather than for a fee. Challenging the notion that the audience is constrained by regulatory and industrial regimes, Strangelove argues that cord-cutting, digital piracy, increased competition, and new modes of production and distribution are making audiences and content more difficult to control, opening up the possibility of a freer, more democratic, media environment.A follow-up to the award-winning Watching YouTube, Post-TV is a lively examination of the social and economic implications of a world where people can watch what they want, when they want, wherever they want.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2023)