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Playing with Desire : Christopher Marlowe and the Art of Tantalization / Fred B. Tromly.

By: Material type: TextTextPublisher: Toronto : University of Toronto Press, [1998]Copyright date: ©1998Description: 1 online resource (312 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780802043559
  • 9781442678545
Subject(s): DDC classification:
  • 822/.3
LOC classification:
  • PR2677.T37
Other classification:
  • online - DeGruyter
Online resources: Summary: Playing with Desire takes a new approach to Christopher Marlowe's body of writing, replacing the view of Marlovian desire as heroic aspiration with a far less uplifting model. Fred B. Tromly shows that in Marlowe's writing desire is a response to calculated, teasing enticement, ultimately a sign not of power but of impotence. The author identifies this desire with the sadistic irony of the Tantalus myth rather than with the sublime tragedy exemplified by the familiar figure of Icarus. Thus, Marlowe's characteristic mis en scene is moved from the heavens to the netherworld. Tromly also demonstrates that the manipulations of desire among Marlowe's characters find close parallels in the strategies by which his works tantalize and frustrate their audiences.Closely examining all the plays and the major poems, the author deploys a variety of resources - Renaissance mythography, the study of literary sources (especially Ovid), comparisons with contemporary writers, performance history, and social history - to demonstrate how central Tantalus and tantalizing are to Marlowe's imagination.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781442678545

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Playing with Desire takes a new approach to Christopher Marlowe's body of writing, replacing the view of Marlovian desire as heroic aspiration with a far less uplifting model. Fred B. Tromly shows that in Marlowe's writing desire is a response to calculated, teasing enticement, ultimately a sign not of power but of impotence. The author identifies this desire with the sadistic irony of the Tantalus myth rather than with the sublime tragedy exemplified by the familiar figure of Icarus. Thus, Marlowe's characteristic mis en scene is moved from the heavens to the netherworld. Tromly also demonstrates that the manipulations of desire among Marlowe's characters find close parallels in the strategies by which his works tantalize and frustrate their audiences.Closely examining all the plays and the major poems, the author deploys a variety of resources - Renaissance mythography, the study of literary sources (especially Ovid), comparisons with contemporary writers, performance history, and social history - to demonstrate how central Tantalus and tantalizing are to Marlowe's imagination.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023)