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Stages of Reality : Theatricality in Cinema / André Loiselle, Jeremy Maron.

By: Contributor(s): Material type: TextTextPublisher: Toronto : University of Toronto Press, [2011]Copyright date: ©2011Description: 1 online resource (240 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9781442612051
  • 9781442696280
Subject(s): DDC classification:
  • 791.43 23
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Introduction -- Part One. Traces of Theatricality: Stage-to-Screen Adaptations -- 1. Self-Adaptation: Queer Theatricality in Brad Fraser’s Leaving Metropolis and Robert Lepage’s La face cachée de la lune -- 2. Brechtian Television: Theatricality and Adaptation of the Stage Play -- Part Two. Cinematic Theatricality, Genre, and Gender -- 3. Cinéma du Grand Guignol : Theatricality in the Horror Film -- 4. ‘I’ll Show Them!’ Creating Legal Spectacles in Revenge Cinema -- 5. The Ethics of Murder: Trial as Performance in the Maternal Melodrama -- 6. Theatricality in the Cleopatra Films: Women (or We Men?) of Power -- Part Three. The Politics of Cinematic Theatricality -- 7. Committed Theatricality -- 8. Theatrical Games and the Gift of a Fable: Performance vs. Reality in Roberto Benigni’s Life Is Beautiful -- Part Four. Performance, Voice, Movement, and the Theatricality of Cinema -- 9. Playing to the Balcony: Screen Acting, Distance, and Cavellian Theatricality -- 10. Bullet-Time, Becoming, and the Sway of Theatricality: Performance and Play in The Matrix -- Selected Bibliography -- Contributors
Summary: A groundbreaking collection of original essays, Stages of Reality establishes a new paradigm for understanding the relationship between stage and screen media. This comprehensive volume explores the significance of theatricality within critical discourse about cinema and television.Stages of Reality connects the theory and practice of cinematic theatricality through conceptual analyses and close readings of films including The Matrix and There Will be Blood. Contributors illuminate how this mode of address disrupts expectations surrounding cinematic form and content, evaluating strategies such as ostentatious performances, formal stagings, fragmentary montages, and methods of dialogue delivery and movement. Detailing connections between cinematic artifice and topics such as politics, gender, and genre, Stages of Reality allows readers to develop a clear sense of the multiple purposes and uses of theatricality in film.
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Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781442696280

Frontmatter -- Contents -- Introduction -- Part One. Traces of Theatricality: Stage-to-Screen Adaptations -- 1. Self-Adaptation: Queer Theatricality in Brad Fraser’s Leaving Metropolis and Robert Lepage’s La face cachée de la lune -- 2. Brechtian Television: Theatricality and Adaptation of the Stage Play -- Part Two. Cinematic Theatricality, Genre, and Gender -- 3. Cinéma du Grand Guignol : Theatricality in the Horror Film -- 4. ‘I’ll Show Them!’ Creating Legal Spectacles in Revenge Cinema -- 5. The Ethics of Murder: Trial as Performance in the Maternal Melodrama -- 6. Theatricality in the Cleopatra Films: Women (or We Men?) of Power -- Part Three. The Politics of Cinematic Theatricality -- 7. Committed Theatricality -- 8. Theatrical Games and the Gift of a Fable: Performance vs. Reality in Roberto Benigni’s Life Is Beautiful -- Part Four. Performance, Voice, Movement, and the Theatricality of Cinema -- 9. Playing to the Balcony: Screen Acting, Distance, and Cavellian Theatricality -- 10. Bullet-Time, Becoming, and the Sway of Theatricality: Performance and Play in The Matrix -- Selected Bibliography -- Contributors

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

A groundbreaking collection of original essays, Stages of Reality establishes a new paradigm for understanding the relationship between stage and screen media. This comprehensive volume explores the significance of theatricality within critical discourse about cinema and television.Stages of Reality connects the theory and practice of cinematic theatricality through conceptual analyses and close readings of films including The Matrix and There Will be Blood. Contributors illuminate how this mode of address disrupts expectations surrounding cinematic form and content, evaluating strategies such as ostentatious performances, formal stagings, fragmentary montages, and methods of dialogue delivery and movement. Detailing connections between cinematic artifice and topics such as politics, gender, and genre, Stages of Reality allows readers to develop a clear sense of the multiple purposes and uses of theatricality in film.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2023)