Frontmatter -- Contents -- Figures and frames -- Acknowledgements -- Abbreviations -- Preface: a Deleuzian cineosis -- Part One Unfolding the Cineosis -- Section I First Introduction Two Regimes of Images -- Movement-images and time-images: Bergson, image and duration -- Movement-images: Peirce, semiosis -- Time-images: Deleuze, syntheses -- Time-images and movement-images: Bergson, duration and image -- Section II Second Introduction A Series of Images and Signs -- Perception-images -- Affection-images -- Impulse-images (the nascent action-image) -- Action-images (small form, action → situation) -- Action-images (large form, situation → action) -- Attraction-images (first reflection-image; sixth mental-image) -- Inversion-images (second reflection-image; fifth mental-image) -- Discourse-images (third reflection-image; fourth mental-image) -- Dream-images (third mental-image) -- Recollection-images (second mental-image) -- Relation-images (first mental-image) -- Opsigns and sonsigns -- Hyalosigns -- Chronosigns -- Noosigns -- Lectosigns -- Afterword to Part One: the unfolded cineosis -- Section III Third Introduction Cinematographics (1995-2015) -- Le scaphandre et la papillon/ The Diving Bell and the Butterfly Solid perception -- Timecode Liquid perception -- Naqoyqatsi Gaseous perception -- Theeviravaathi/The Terrorist Icon -- Despicable Me, Despicable Me 2 and Minions -- Le quattro volte/Four Times Any-space-whatever -- The Human Centipede (First Sequence).Symptom -- Harry Potter and the Deathly Hallows: Part 1 and Harry Potter and the Deathly Hallows: Part 2 -- Innocence Originary World -- Madeo/Mother Index of lack -- The Killer Inside Me Index of equivocity -- Ajami Vector -- marxism today (prologue) and untitled Milieu -- Made in Dagenham Binomial -- Slackistan Figure of enfeeblement -- Un homme qui crie/A Screaming Man Quotidian -- Monsters Limit of the large form action-image -- Brooklyn's Finest Limit of the small form action-image -- Metro Manila Limit of the action-image -- Star Trek - First Contact Rich dreams -- The Machinist Restrained dreams -- Inception Movement of world -- El secreto de sus ojos/The Secret in Their Eyes Strong destiny -- White Material Weak destiny -- Triangle Forking paths -- Se7en Mark -- Doctor Who - The Day of the Doctor Demark -- Buried Symbol -- Five Opsigns and sonsigns -- Black Swan Mirrors face to face -- Self Made Limpid and opaque -- Synecdoche, New York Seed and environment -- Loong Boonmee raleuk chat/Uncle Boonmee Who Can Recall His Past Lives Peaks of the present -- Russkiy kovcheg/Russian Ark Sheets of the past -- Er shi si cheng ji/24 City Powers of the false -- I'm Not There Bodies of attitude -- Politist, adjectiv/Police, AdjectiveBodies of gest -- Dogville Cinema of the brain -- Enter the Void Lectosigns -- Select bibliography -- Filmography -- Index

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Explores all the concepts in Deleuze's Cinema books, using contemporary film readings as illustrative examples for each conceptDeleuze's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film?David Deamer's book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuze's classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers.Key FeaturesAn interpretation of Bergson's Matter and Memory through Deleuze's Bergsonism describing the ground of Deleuze's film-philosophyA reading of Peirce's semiosis from Pragmatism and Pragmaticism explicating the genesis and components of the movement-imageAn examination of Deleuze's syntheses of time, space and consciousness from Difference and Repetition illuminating the genesis and components of the time-imageConcise engagements with each of the cinematic signs to assist reading Deleuze's Cinema books, as well as commentaries and monographs that draw upon them44 film readings - one for each cinematic sign - to clarify their application

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)