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Speculative Art Histories : Analysis at the Limits / Sjoerd van Tuinen.

By: Contributor(s): Material type: TextTextPublisher: Edinburgh : Edinburgh University Press, [2022]Copyright date: ©2017Description: 1 online resource (320 p.) : 25 colour illustrationsContent type:
Media type:
Carrier type:
ISBN:
  • 9781474421041
  • 9781474421065
Subject(s): DDC classification:
  • 700
LOC classification:
  • NX
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- List of Figures -- Acknowledgements -- Foreword -- Introduction -- 1 Asynchronous Present Past -- 2 (Dis)enchanted Taiwanese Cinema, Schizoanalytic Belief and the Actuality of Animism -- 3 Attractors and Locked-In Art: Art History as a Complex System -- 4 Enduring Habits and Artwares -- 5 Mood (Stimmung) / Blandness (Fadeur): On Temporality and Affectivity -- 6 The Plasticity of the Real: Speculative Architecture -- 7 Expressive Things: Art Theories of Henri Focillon and Meyer Schapiro Reconsidered -- 8 Gothic Ontology and Sympathy: Moving Away from the Fold -- 9 Serpentine Life: The Nature of Movement in Gothic, Mannerism and Baroque -- 10 Space Always Comes After: It Is Good When It Comes After; It Is Good Only When It Comes After -- 11 Speculation, Critique, Constructivism: Notions for Art History -- 12 The Potentiality of Art, the Force of Images and Aesthetic Intensities -- 13 Impossible! Bergson after Duchamp after Caillois -- 14 Economies of the Wild: Speculations on Constant’s New Babylon and Contemporary Capitalism -- 15 From Étienne Souriau’s The Shadow of God to Mats Ek’s Shadow of Carmen -- Notes on Contributors -- Index
Summary: A ‘counter-discourse’ of speculative approaches to art historySituated at the interface of philosophy, aesthetics and art history, this collection brings together a series of creative responses to the recent speculative turn in Continental philosophy. It gives you both a genealogy of speculative art history and a provocatively experimental counter-discourse of new speculative art histories.The contributors include philosophers, art historians, architects and art practitioners who go beyond the mere complementarity of philosophy and art history. They are generous with the types of art they examine, including architecture, cinema, dance and new media, and the philosophical trajectories they engage with.Published in association with Witte de With Center for Contemporary Art, RotterdamContributorsArmen Avanessian, Free University Berlin, Germany. Erik Bordeleau, Concordia University, Montreal, Canada. Adi Efal, University of Cologne, Germany. Francis Halsall, National College of Art and Design, Dublin, IrelandFleur Courtois-l'Heureux, National Fund for Scientific Research, ULB and INSAS, Belgium. Bram Ieven, Leiden University, Netherlands. Vlad Ionescu, University of Hasselt, Belgium. Sarah Kolb, University of Art and Design in Linz and Academy of Fine Arts in Vienna, Austria.Bertrand Prévost, University of Bordeaux, France. Andrej Radman, TU Delft, Netherlands. Elisabeth von Samsonow, Academy of Fine Arts, Vienna, Austria.Lars Spuybroek, Georgia Institute of Technology, Atlanta, USA. Kerstin Thomas, Johannes Gutenberg-University in Mainz, Germany. Sjoerd van Tuinen, Erasmus University Rotterdam, Netherlands. Kamini Vellodi, Kingston University, London, UK.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781474421065

Frontmatter -- Contents -- List of Figures -- Acknowledgements -- Foreword -- Introduction -- 1 Asynchronous Present Past -- 2 (Dis)enchanted Taiwanese Cinema, Schizoanalytic Belief and the Actuality of Animism -- 3 Attractors and Locked-In Art: Art History as a Complex System -- 4 Enduring Habits and Artwares -- 5 Mood (Stimmung) / Blandness (Fadeur): On Temporality and Affectivity -- 6 The Plasticity of the Real: Speculative Architecture -- 7 Expressive Things: Art Theories of Henri Focillon and Meyer Schapiro Reconsidered -- 8 Gothic Ontology and Sympathy: Moving Away from the Fold -- 9 Serpentine Life: The Nature of Movement in Gothic, Mannerism and Baroque -- 10 Space Always Comes After: It Is Good When It Comes After; It Is Good Only When It Comes After -- 11 Speculation, Critique, Constructivism: Notions for Art History -- 12 The Potentiality of Art, the Force of Images and Aesthetic Intensities -- 13 Impossible! Bergson after Duchamp after Caillois -- 14 Economies of the Wild: Speculations on Constant’s New Babylon and Contemporary Capitalism -- 15 From Étienne Souriau’s The Shadow of God to Mats Ek’s Shadow of Carmen -- Notes on Contributors -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

A ‘counter-discourse’ of speculative approaches to art historySituated at the interface of philosophy, aesthetics and art history, this collection brings together a series of creative responses to the recent speculative turn in Continental philosophy. It gives you both a genealogy of speculative art history and a provocatively experimental counter-discourse of new speculative art histories.The contributors include philosophers, art historians, architects and art practitioners who go beyond the mere complementarity of philosophy and art history. They are generous with the types of art they examine, including architecture, cinema, dance and new media, and the philosophical trajectories they engage with.Published in association with Witte de With Center for Contemporary Art, RotterdamContributorsArmen Avanessian, Free University Berlin, Germany. Erik Bordeleau, Concordia University, Montreal, Canada. Adi Efal, University of Cologne, Germany. Francis Halsall, National College of Art and Design, Dublin, IrelandFleur Courtois-l'Heureux, National Fund for Scientific Research, ULB and INSAS, Belgium. Bram Ieven, Leiden University, Netherlands. Vlad Ionescu, University of Hasselt, Belgium. Sarah Kolb, University of Art and Design in Linz and Academy of Fine Arts in Vienna, Austria.Bertrand Prévost, University of Bordeaux, France. Andrej Radman, TU Delft, Netherlands. Elisabeth von Samsonow, Academy of Fine Arts, Vienna, Austria.Lars Spuybroek, Georgia Institute of Technology, Atlanta, USA. Kerstin Thomas, Johannes Gutenberg-University in Mainz, Germany. Sjoerd van Tuinen, Erasmus University Rotterdam, Netherlands. Kamini Vellodi, Kingston University, London, UK.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)