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ReFocus : The Films of Francis Veber / Keith Corson.

By: Material type: TextTextSeries: ReFocus: The International Directors Series : RFIDSPublisher: Edinburgh : Edinburgh University Press, [2022]Copyright date: 2019Description: 1 online resource (176 p.) : 15 B/W illustrationsContent type:
Media type:
Carrier type:
ISBN:
  • 9781474429481
  • 9781474429504
Subject(s): DDC classification:
  • 791.430233092 23
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Figures -- Acknowledgments -- 1 Francis Veber and the Canon -- 2 Toy Story: Le jouet (1976) -- 3 Mexican Holiday: La chèvre (1981) -- 4 The Road to Fatherhood: Les compères (1983) -- 5 The Great Escape: Les fugitifs (1986) -- 6 Francis Goes to Hollywood: Three Fugitives (1989) -- 7 A Parisian in America: Out on a Limb (1992) -- 8 Rainforest Redemption: Le jaguar (1996) -- 9 The Art of Canned Theatre: Le dîner de cons (1998) -- 10 Closet Conservatives: Le placard (2001) -- 11 Repetition and Revision: Tais-toi! (2003) -- 12 Modern Times: La doublure (2006) -- 13 The Last Picture Show: L’emmerdeur (2008) -- Conclusion: The Precarious State of National Cinemas -- Bibliography -- Index
Summary: Analyses how the French director Francis Veber uses comedy to make serious social commentariesFew directors have played such a prominent role as Francis Veber in shaping the cinematic identity of France over the past forty years, yet in many ways his chosen genre of comedy has relegated his work to the margins of Film Studies. Using an auterist lens to challenge the notions of taste, genre and aesthetics that are commonly used to form the cinematic canon, this book explores the twelve films Veber directed between 1976 and 2008. These include Le Jouet (1976), Les fugitifs (1986) and L’emmerdeur (2008). Considering also Veber’s extensive work as a playwright, theatre director and screenwriter – as well as the numerous remakes and adaptations of his films in Hollywood – author Keith Corson focuses on issues of class, labour and politics to examine the ways in which Veber embeds serious social critiques in his mainstream films.Key featuresThe first scholarly book dedicated to Francis Veber’s films and careerConsiders the twelve films Veber directed between 1976 and 2008, his extensive work as a playwright, theatre director and screenwriter Bridges scholarship on French and American cinema, speaking to transnational discourses within film studiesCase studiesLe Jouet (1976)La chèvre (1981)Les compères (1983)Les fugitifs (1986)Three Fugitives (1989)Out on a Limb (1992)Le jaguar (1996)Le diner de cons (1998)Le placard (2001)Tais-toi! (2003)La doublure (2006)L’emmerdeur (2008)
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781474429504

Frontmatter -- Contents -- Figures -- Acknowledgments -- 1 Francis Veber and the Canon -- 2 Toy Story: Le jouet (1976) -- 3 Mexican Holiday: La chèvre (1981) -- 4 The Road to Fatherhood: Les compères (1983) -- 5 The Great Escape: Les fugitifs (1986) -- 6 Francis Goes to Hollywood: Three Fugitives (1989) -- 7 A Parisian in America: Out on a Limb (1992) -- 8 Rainforest Redemption: Le jaguar (1996) -- 9 The Art of Canned Theatre: Le dîner de cons (1998) -- 10 Closet Conservatives: Le placard (2001) -- 11 Repetition and Revision: Tais-toi! (2003) -- 12 Modern Times: La doublure (2006) -- 13 The Last Picture Show: L’emmerdeur (2008) -- Conclusion: The Precarious State of National Cinemas -- Bibliography -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Analyses how the French director Francis Veber uses comedy to make serious social commentariesFew directors have played such a prominent role as Francis Veber in shaping the cinematic identity of France over the past forty years, yet in many ways his chosen genre of comedy has relegated his work to the margins of Film Studies. Using an auterist lens to challenge the notions of taste, genre and aesthetics that are commonly used to form the cinematic canon, this book explores the twelve films Veber directed between 1976 and 2008. These include Le Jouet (1976), Les fugitifs (1986) and L’emmerdeur (2008). Considering also Veber’s extensive work as a playwright, theatre director and screenwriter – as well as the numerous remakes and adaptations of his films in Hollywood – author Keith Corson focuses on issues of class, labour and politics to examine the ways in which Veber embeds serious social critiques in his mainstream films.Key featuresThe first scholarly book dedicated to Francis Veber’s films and careerConsiders the twelve films Veber directed between 1976 and 2008, his extensive work as a playwright, theatre director and screenwriter Bridges scholarship on French and American cinema, speaking to transnational discourses within film studiesCase studiesLe Jouet (1976)La chèvre (1981)Les compères (1983)Les fugitifs (1986)Three Fugitives (1989)Out on a Limb (1992)Le jaguar (1996)Le diner de cons (1998)Le placard (2001)Tais-toi! (2003)La doublure (2006)L’emmerdeur (2008)

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024)