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Artful Experiments : Ways of Knowing in Victorian Literature and Science / Philipp Erchinger.

By: Material type: TextTextSeries: Edinburgh Critical Studies in Victorian Culture : ECSVCPublisher: Edinburgh : Edinburgh University Press, [2022]Copyright date: ©2018Description: 1 online resource (320 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9781474438957
  • 9781474438971
Subject(s): DDC classification:
  • 509.42 23
LOC classification:
  • Q127.G4
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Series Editor’s Preface -- Acknowledgements -- Introduction: Experiment and the Art of Writing -- Chapter 1 The Art of Science: Nineteenth- Century Theory and the Logic of Practice -- Chapter 2 Learning by Experiment: T. H. Huxley and the Aesthetic Nature of Education -- Chapter 3 Following the Actors: G. H. Lewes’s and George Eliot’s Studies in Life -- Chapter 4 Steps Towards an Ecology of Experience: Empiricism, Pragmatism and George Eliot’s The Spanish Gypsy -- Chapter 5 Speech in Action: Victorian Philology and the Uprooting of Language -- Chapter 6 William Morris’s ‘Work-Pleasure’: Literature, Science and Fine Art -- Chapter 7 Robert Browning’s Experiment: Composition and Communication in The Ring and the Book -- Chapter 8 The Making of Sensation Fiction -- Clothing Matter: Thomas Carlyle’s Sartor Resartus -- Bibliography -- Index
Summary: Reads Victorian literature and science as artful practices that surpass the theories and discourses supposed to contain themExemplifies and expounds an approach to Victorian writing, drawn from practice theory (Pickering, Latour, de Certeau, Schatzki) and social anthropology (Ingold), that is centred on practices rather than discoursesStudies activities of knowledge-making in literature and science in order to show why it is appropriate to speak of Victorian poetry and fiction as a mode of experimentationExplicates and re-conceives the relations between the arts and the sciences, experience and language as well as practice and theoryWhat is the connection between Victorian writing and experiment? Artful Experiments seeks to answer this question by approaching the field of literature and science in a way that is not so much centred on discourses of established knowledge as it is on practices of investigating what is no longer or not yet knowledge. The book assembles various modes of writing, from poetry and sensation fiction to natural history and philosophical debate, reading them as ways of knowing or structures in the making, rather than as containers of accomplished arguments or story worlds. Entwining innovative readings of the works of George Eliot, Robert Browning, Mary Elizabeth Braddon, Wilkie Collins and William Morris, alongside in-depth studies of philosophical and scientific texts by writers such as John S. Mill, William Whewell, Thomas H. Huxley, George H. Lewes, F. Max Müller and Edward B. Tylor, Artful Experiments explicates and re-conceives the relations between the arts and the sciences, experience and language as well as practice and theory. For many Victorians, the book argues, experimentation was just as integral to the making of literature as writing was integral to the making of science.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781474438971

Frontmatter -- Contents -- Series Editor’s Preface -- Acknowledgements -- Introduction: Experiment and the Art of Writing -- Chapter 1 The Art of Science: Nineteenth- Century Theory and the Logic of Practice -- Chapter 2 Learning by Experiment: T. H. Huxley and the Aesthetic Nature of Education -- Chapter 3 Following the Actors: G. H. Lewes’s and George Eliot’s Studies in Life -- Chapter 4 Steps Towards an Ecology of Experience: Empiricism, Pragmatism and George Eliot’s The Spanish Gypsy -- Chapter 5 Speech in Action: Victorian Philology and the Uprooting of Language -- Chapter 6 William Morris’s ‘Work-Pleasure’: Literature, Science and Fine Art -- Chapter 7 Robert Browning’s Experiment: Composition and Communication in The Ring and the Book -- Chapter 8 The Making of Sensation Fiction -- Clothing Matter: Thomas Carlyle’s Sartor Resartus -- Bibliography -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Reads Victorian literature and science as artful practices that surpass the theories and discourses supposed to contain themExemplifies and expounds an approach to Victorian writing, drawn from practice theory (Pickering, Latour, de Certeau, Schatzki) and social anthropology (Ingold), that is centred on practices rather than discoursesStudies activities of knowledge-making in literature and science in order to show why it is appropriate to speak of Victorian poetry and fiction as a mode of experimentationExplicates and re-conceives the relations between the arts and the sciences, experience and language as well as practice and theoryWhat is the connection between Victorian writing and experiment? Artful Experiments seeks to answer this question by approaching the field of literature and science in a way that is not so much centred on discourses of established knowledge as it is on practices of investigating what is no longer or not yet knowledge. The book assembles various modes of writing, from poetry and sensation fiction to natural history and philosophical debate, reading them as ways of knowing or structures in the making, rather than as containers of accomplished arguments or story worlds. Entwining innovative readings of the works of George Eliot, Robert Browning, Mary Elizabeth Braddon, Wilkie Collins and William Morris, alongside in-depth studies of philosophical and scientific texts by writers such as John S. Mill, William Whewell, Thomas H. Huxley, George H. Lewes, F. Max Müller and Edward B. Tylor, Artful Experiments explicates and re-conceives the relations between the arts and the sciences, experience and language as well as practice and theory. For many Victorians, the book argues, experimentation was just as integral to the making of literature as writing was integral to the making of science.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)