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American History and Contemporary Hollywood Film / Trevor McCrisken, Andrew Pepper.

By: Contributor(s): Material type: TextTextPublisher: Edinburgh : Edinburgh University Press, [2022]Copyright date: ©2005Description: 1 online resource (240 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780748614899
  • 9781474470841
Subject(s): Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Acknowledgments -- Preface -- Introduction -- Chapter 1. Lessons from Hollywood's American revolution -- Chapter 2 Rattling the chains of history: Steven Spielberg's amistad and 'telling everyone's story' -- Chapter 3 Hollywood's civil war dilemma: to imagine or unravel the nation? -- Chapter 4 Saving the good war: Hollywood and world war II in the post-cold war world -- Chapter 5 Oliver Stone and the decade of trauma -- Chapter 6 From civil rights to black nationalism: Hollywood v. black America? -- Chapter 7 Hollywood's post-cold war history: the 'righteousness' of American interventionism -- Selected bibliography -- Index
Summary: Hollywood has a growing fascination with America's past. This is evidenced in the release of a rash of films of this genre in the past 25 years. This book offers an analysis of how and why contemporary Hollywood films have sought to mediate American history. It is the first book to explore, comprehensively, the post-Cold War period of film-making, and to consider whether or how far contemporary films have begun to unravel the unifying myths of earlier films and periods. It also considers why such films are becoming increasingly integral to the ambitions of a globally-focused American film industry.The relationship between film and history - the way in which film mediates history and vice versa - is a complex one. In this book, the authors work from two main assumptions. First, that films revision events to challenge or, perhaps more typically, to reaffirm traditional historical interpretations. Second, that this process can only be understood in the context of contemporary debates about identity politics, America's role in world affairs, and the globalisation of the American film business.The book is structured by historical periods and includes chapters on:The American Revolution (Revolution, The Patriot)Slavery (Roots, Amistad)The Civil War (Gettysburg,Glory,Ride with the Devil, Cold Mountain)World War II (Saving Private Ryan, Thin Red Line, Pearl Harbor)Oliver Stone and the Decade of Trauma (Platoon, Born on the Fourth of July, Heaven and Earth, Nixon)Civil Rights and Black Nationalism (Panther, Mississippi Burning, The Hurricane, Malcolm X, Ali)American Interventionism (Three Kings, Black Hawk Down)Key FeaturesUnique: the only book to provide comprehensive analysis of the relationship between film and American history in the post-Cold War eraTopical: explores the relationship between cinema, representation and national identityAccessible: analyses a broad range of popular, mainstream films which engage with well-known historical eventsUses cultural theory to help consider the complex relationship between film and historyEngages with the contentious issue of the extent to which film distorts/ revisions historical 'truths'
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781474470841

Frontmatter -- Contents -- Acknowledgments -- Preface -- Introduction -- Chapter 1. Lessons from Hollywood's American revolution -- Chapter 2 Rattling the chains of history: Steven Spielberg's amistad and 'telling everyone's story' -- Chapter 3 Hollywood's civil war dilemma: to imagine or unravel the nation? -- Chapter 4 Saving the good war: Hollywood and world war II in the post-cold war world -- Chapter 5 Oliver Stone and the decade of trauma -- Chapter 6 From civil rights to black nationalism: Hollywood v. black America? -- Chapter 7 Hollywood's post-cold war history: the 'righteousness' of American interventionism -- Selected bibliography -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Hollywood has a growing fascination with America's past. This is evidenced in the release of a rash of films of this genre in the past 25 years. This book offers an analysis of how and why contemporary Hollywood films have sought to mediate American history. It is the first book to explore, comprehensively, the post-Cold War period of film-making, and to consider whether or how far contemporary films have begun to unravel the unifying myths of earlier films and periods. It also considers why such films are becoming increasingly integral to the ambitions of a globally-focused American film industry.The relationship between film and history - the way in which film mediates history and vice versa - is a complex one. In this book, the authors work from two main assumptions. First, that films revision events to challenge or, perhaps more typically, to reaffirm traditional historical interpretations. Second, that this process can only be understood in the context of contemporary debates about identity politics, America's role in world affairs, and the globalisation of the American film business.The book is structured by historical periods and includes chapters on:The American Revolution (Revolution, The Patriot)Slavery (Roots, Amistad)The Civil War (Gettysburg,Glory,Ride with the Devil, Cold Mountain)World War II (Saving Private Ryan, Thin Red Line, Pearl Harbor)Oliver Stone and the Decade of Trauma (Platoon, Born on the Fourth of July, Heaven and Earth, Nixon)Civil Rights and Black Nationalism (Panther, Mississippi Burning, The Hurricane, Malcolm X, Ali)American Interventionism (Three Kings, Black Hawk Down)Key FeaturesUnique: the only book to provide comprehensive analysis of the relationship between film and American history in the post-Cold War eraTopical: explores the relationship between cinema, representation and national identityAccessible: analyses a broad range of popular, mainstream films which engage with well-known historical eventsUses cultural theory to help consider the complex relationship between film and historyEngages with the contentious issue of the extent to which film distorts/ revisions historical 'truths'

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)