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Writing Men : Literary Masculinities from Frankenstein to the New Man / Berthold Schoene.

By: Material type: TextTextPublisher: Edinburgh : Edinburgh University Press, [2022]Copyright date: ©2000Description: 1 online resource (224 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780748610006
  • 9781474472364
Subject(s): DDC classification:
  • 820.9352041 21/oclc
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- Part I Monsters, Heroes and Ghosts -- Part II Masks of Savagery and Acts of Anger -- Part III Man's Progeny -- Part IV Coming Out of Bildung -- Bibliography -- Index
Summary: In Writing Men, Berthold Schoene-Harwood develops a trajectory of masculine emancipation from the monstrous imagery of nineteenth-century fiction to contemporary men writers' experimental new discourse of écriture masculine. Looking at 13 individual case studies, Schoene-Harwood outlines the historical development of literary representations of masculinity from Mary Shelley's Frankenstein to Ian McEwan's The Child in Time. Subdivided into four parts, the study's first section takes a journey into the nineteenth-century pre-history of post-war and contemporary British men's writing, introducing readers to literature's capacity to both consolidate and unsettle traditional conceptions of femininity and masculinity. In Part II, detailed readings of modern classics such as Lord of the Flies, A Clockwork Orange, Look Back in Anger and Room at the Top reveal the persistence of patriarchal gender hierarchies in the 1950s and early 1960s. The third and central section explores the influence feminist thought has had on some men's contemporary re-imaging of themselves beyond the confines of traditional gender formations. The final section discusses Neil Bartlett's Ready to Catch Him Should He Fall as an attempt to subvert patriarchal masculinity from a gay male perspective. Inspired by feminist theory and the new academic discipline of Men's Studies, Schoene-Harwood analyses men's writing both in relation to women's writing and as a literary genre in its own right. Arguing for a new discourse of écriture masculine, Writing Men makes a challenging and theoretically ambitious contribution to current critical debates on the literary representation of gender.Key FeaturesThe study comprises detailed, innovative and original readings of 13 works of literatureIt historicises the literary representation of masculinity by outlining its development from the nineteenth century to the immediate presentIts introductory, yet sophisticated approach will appeal to students, academics, specialists and non-specialists alike
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781474472364

Frontmatter -- Contents -- Part I Monsters, Heroes and Ghosts -- Part II Masks of Savagery and Acts of Anger -- Part III Man's Progeny -- Part IV Coming Out of Bildung -- Bibliography -- Index

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http://purl.org/coar/access_right/c_16ec

In Writing Men, Berthold Schoene-Harwood develops a trajectory of masculine emancipation from the monstrous imagery of nineteenth-century fiction to contemporary men writers' experimental new discourse of écriture masculine. Looking at 13 individual case studies, Schoene-Harwood outlines the historical development of literary representations of masculinity from Mary Shelley's Frankenstein to Ian McEwan's The Child in Time. Subdivided into four parts, the study's first section takes a journey into the nineteenth-century pre-history of post-war and contemporary British men's writing, introducing readers to literature's capacity to both consolidate and unsettle traditional conceptions of femininity and masculinity. In Part II, detailed readings of modern classics such as Lord of the Flies, A Clockwork Orange, Look Back in Anger and Room at the Top reveal the persistence of patriarchal gender hierarchies in the 1950s and early 1960s. The third and central section explores the influence feminist thought has had on some men's contemporary re-imaging of themselves beyond the confines of traditional gender formations. The final section discusses Neil Bartlett's Ready to Catch Him Should He Fall as an attempt to subvert patriarchal masculinity from a gay male perspective. Inspired by feminist theory and the new academic discipline of Men's Studies, Schoene-Harwood analyses men's writing both in relation to women's writing and as a literary genre in its own right. Arguing for a new discourse of écriture masculine, Writing Men makes a challenging and theoretically ambitious contribution to current critical debates on the literary representation of gender.Key FeaturesThe study comprises detailed, innovative and original readings of 13 works of literatureIt historicises the literary representation of masculinity by outlining its development from the nineteenth century to the immediate presentIts introductory, yet sophisticated approach will appeal to students, academics, specialists and non-specialists alike

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)