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Making Pictorial Print : Media Literacy and Mass Culture in British Magazines, 1885–1918 / Alison Hedley.

By: Material type: TextTextSeries: Studies in Book and Print CulturePublisher: Toronto : University of Toronto Press, [2021]Copyright date: 2021Description: 1 online resource (248 p.) : 34 b&w illustrationsContent type:
Media type:
Carrier type:
ISBN:
  • 9781487506735
  • 9781487534745
Subject(s): DDC classification:
  • 052.0941 23
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction: A History of Victorian Print Media Literacy and the Technological Imagination -- 1. The Illustrated London News, Popular Illustrated Journalism, and the New Media Landscape, 1885–1907 -- 2. Imagining Consumer Culture: Reading Advertisements in the Illustrated London News and the Graphic, 1885–1906 -- 3. Imagining Subjectivity: Reading Data Visualizations in Pearson’s Magazine, 1896–1902 -- 4. Imagining Print Production: Making Scrapbook Media, c. 1830–1918 -- 5. Imagining New Media Platforms: Taking Snapshots for the Strand, 1896–1918 -- Conclusion: Victorian Media Literacies and the Genealogy of the Present -- Notes -- Index -- STUDIES IN BOOK AND PRINT CULTURE
Summary: At the end of the nineteenth century, print media dominated British popular culture, produced in greater variety and on a larger scale than ever before. Within decades, new visual and auditory media had ushered in a mechanized milieu, displacing print from its position at the heart of cultural life. During this period of intense change, illustrated magazines maintained a central position in the media landscape by transforming their letterpress orientation into a visual and multimodal one. Ultimately, this transformation was important for the new media cultures of the twentieth and twenty-first centuries. Making Pictorial Print recovers this chapter in the history of new media, applying concepts from media theory and the digital humanities to analyse four popular late-Victorian magazines – the Illustrated London News, the Graphic, Pearson’s Magazine, and the Strand – and the scrapbook media that appropriated them. Using the concept of media literacy, these case studies demonstrate the ways in which periodical design aesthetics affected the terms of engagement presented to readers, creating opportunities for them to participate in and even contribute to popular culture. Shaped by publishers, advertisers, and readers themselves, the pages of these periodicals document the emergence of modern mass culture as we know it and offer insight into the new media of our digital present.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781487534745

Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction: A History of Victorian Print Media Literacy and the Technological Imagination -- 1. The Illustrated London News, Popular Illustrated Journalism, and the New Media Landscape, 1885–1907 -- 2. Imagining Consumer Culture: Reading Advertisements in the Illustrated London News and the Graphic, 1885–1906 -- 3. Imagining Subjectivity: Reading Data Visualizations in Pearson’s Magazine, 1896–1902 -- 4. Imagining Print Production: Making Scrapbook Media, c. 1830–1918 -- 5. Imagining New Media Platforms: Taking Snapshots for the Strand, 1896–1918 -- Conclusion: Victorian Media Literacies and the Genealogy of the Present -- Notes -- Index -- STUDIES IN BOOK AND PRINT CULTURE

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

At the end of the nineteenth century, print media dominated British popular culture, produced in greater variety and on a larger scale than ever before. Within decades, new visual and auditory media had ushered in a mechanized milieu, displacing print from its position at the heart of cultural life. During this period of intense change, illustrated magazines maintained a central position in the media landscape by transforming their letterpress orientation into a visual and multimodal one. Ultimately, this transformation was important for the new media cultures of the twentieth and twenty-first centuries. Making Pictorial Print recovers this chapter in the history of new media, applying concepts from media theory and the digital humanities to analyse four popular late-Victorian magazines – the Illustrated London News, the Graphic, Pearson’s Magazine, and the Strand – and the scrapbook media that appropriated them. Using the concept of media literacy, these case studies demonstrate the ways in which periodical design aesthetics affected the terms of engagement presented to readers, creating opportunities for them to participate in and even contribute to popular culture. Shaped by publishers, advertisers, and readers themselves, the pages of these periodicals document the emergence of modern mass culture as we know it and offer insight into the new media of our digital present.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 19. Oct 2024)