Fables of Modernity : Literature and Culture in the English Eighteenth Century / Laura S. Brown.
Material type:
TextPublisher: Ithaca, NY : Cornell University Press, [2018]Copyright date: ©2003Description: 1 online resource (288 p.) : 7 halftonesContent type: - 9781501722349
- English literature -- 18th century -- History and criticism
- Fables, English -- History and criticism
- Literature and history -- Great Britain -- History -- 18th century
- Literature and society -- Great Britain -- History -- 18th century
- England
- Literary Studies
- LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
- 820.9/355 21
- online - DeGruyter
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eBook
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Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9781501722349 |
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Frontmatter -- Contents -- Illustrations -- Preface -- Introduction: The Cultural Fable, the Experience of Modernity, and the Paradigm of Difference -- PART I: EXPANSION -- CHAPTER 1. The Metropolis: The Fable of the City Sewer -- CHAPTER 2. Imperial Fate: The Fable of Torrents and Oceans -- PART II: EXCHANGE -- CHAPTER 3. Finance: The Fable of Lady Credit -- CHAPTER 4. Capitalism: Fables of a New World -- PART III: ALTERITY -- CHAPTER 5. Spectacles of Cultural Contact: The Fable of the Native Prince -- CHAPTER 6. The Orangutang, the Lap Dog, and the Parrot: The Fable of the Nonhuman Being -- Index
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
Fables of Modernity expands the territory for cultural and literary criticism by introducing the concept of the cultural fable. Laura Brown shows how cultural fables arise from material practices in eighteenth-century England. These fables, the author says, reveal the eighteenth-century origins of modernity and its connection with two related paradigms of difference—the woman and the "native" or non-European.The collective narratives that Brown finds in the print culture of the period engage such prominent phenomena as the city sewer, trade and shipping, the stock market, the commercial printing industry, the "native" visitor to London, and the household pet. In connecting imagination and history through the category of the cultural fable, Brown illuminates the nature of modern experience in the growing metropolitan centers, the national consequences of global expansion, the volatility of credit, the transforming effects of capital, and the domestic consequences of colonialism and slavery.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2024)

