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Licensed by Authority : Ben Jonson and the Discourses of Censorship / Richard Burt.

By: Material type: TextTextPublisher: Ithaca, NY : Cornell University Press, [2018]Copyright date: ©1993Description: 1 online resource (240 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9781501722424
Subject(s): DDC classification:
  • 822/.3 23
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Preface -- Abbreviations -- INTRODUCTION. -- CHAPTER ONE. Branding the Body, Burning the Book: Censorship, Criticism, and the Consumption of Jonson’s Corpus -- CHAPTER TWO. Licensing Authorities: Jonson, Shakespeare, and the Politics of Theatrical Professionalism -- CHAPTER THREE. Th’Only Catos of This Critick Age: Late Jonson and the Reformation of Caroline Tastes -- CONCLUSION. -- Notes -- Works Cited -- Index
Summary: A dramatist whose own works were repeatedly censored early in his career and who later stood in succession to become the court censor himself, Ben Jonson embodies the contradictions and complexities of theater censorship in the early Stuart period. Focusing on Jonson's writings and the political vicissitudes of his career, Richard Burt offers a provocative reinterpretation of Jacobean and Caroline theater censorship and theatrical culture.Informed by the writings of Foucault and Bourdieu, Licensed by Authority historicizes censorship, arguing that it was less a matter of denying dramatists liberty of speech than a network of productive strategies for legitimating and delegitimating specific discursive practices. Burt draws on a rich body of archival and literary evidence, including plays by Shakespeare and by Jonson's Caroline contemporaries, in order to demonstrate that censorship was nurtured and sustained not only by a culturally diverse Stuart court but also by the playwrights themselves, along with theatrical entrepreneurs, printers, poets, and critics.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781501722424

Frontmatter -- Contents -- Preface -- Abbreviations -- INTRODUCTION. -- CHAPTER ONE. Branding the Body, Burning the Book: Censorship, Criticism, and the Consumption of Jonson’s Corpus -- CHAPTER TWO. Licensing Authorities: Jonson, Shakespeare, and the Politics of Theatrical Professionalism -- CHAPTER THREE. Th’Only Catos of This Critick Age: Late Jonson and the Reformation of Caroline Tastes -- CONCLUSION. -- Notes -- Works Cited -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

A dramatist whose own works were repeatedly censored early in his career and who later stood in succession to become the court censor himself, Ben Jonson embodies the contradictions and complexities of theater censorship in the early Stuart period. Focusing on Jonson's writings and the political vicissitudes of his career, Richard Burt offers a provocative reinterpretation of Jacobean and Caroline theater censorship and theatrical culture.Informed by the writings of Foucault and Bourdieu, Licensed by Authority historicizes censorship, arguing that it was less a matter of denying dramatists liberty of speech than a network of productive strategies for legitimating and delegitimating specific discursive practices. Burt draws on a rich body of archival and literary evidence, including plays by Shakespeare and by Jonson's Caroline contemporaries, in order to demonstrate that censorship was nurtured and sustained not only by a culturally diverse Stuart court but also by the playwrights themselves, along with theatrical entrepreneurs, printers, poets, and critics.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2024)