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The Contested Parterre : Public Theater and French Political Culture, 1680–1791 / Jeffrey S. Ravel.

By: Material type: TextTextPublisher: Ithaca, NY : Cornell University Press, [2018]Copyright date: ©1999Description: 1 online resource (272 p.) : 1 chart, 1 map, 1 table, 11 halftonesContent type:
Media type:
Carrier type:
ISBN:
  • 9781501724626
Subject(s): DDC classification:
  • 792/.09443/61 21
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Abbreviations -- Introduction: Political Culture, Print, and Performance -- 1. Parterre Practices in Eighteenth-Century Paris -- 2. Origins of the Contested Parterre, 1630-80 -- 3. "The Parterre Becomes an A~tor," 1680-1725 -- 4. Policing the Parisian Parterre, 169/-1/51 -- 5. Policing the Parterre in Paris and the Provinces, 1751-89 -- 6. The Parterre and French National Identity in the Eighteenth Century -- Afterword -- Appendix: List of Spectators in Paris Parterres by Social Category and Theater, 1717-68 -- Bibliography -- Index
Summary: In the playhouses of eighteenth-century France, clerks and students, soldiers and merchants, and the occasional aristocrat stood in the pit, while the majority of the elite sat in loges. These denizens of the parterre, who accounted for up to two-thirds of the audience, were given to disruptive behavior that culminated in full-scale riots in the last years before the Revolution. Offering a commoner's eye view of the drama offstage, this fascinating history of French theater audiences clearly demonstrates how problems in the parterre reflected tensions at the heart of the Old Regime.Jeffrey S. Ravel vividly depicts the scene in the parterre where the male spectators occupied themselves shoving one another, drinking, urinating, and confronting the actors with critiques of the performance. He traces the futile efforts of the Bourbon Court—and later its Enlightened opponents—to control parterre behavior by both persuasion and force. Ravel describes how the parterre came to represent a larger, more politicized notion of the public, one that exposed the inability of the government to accommodate the demands of French citizens. An important contribution to debates on the public sphere, Ravel's book is the first to explore the role of the parterre in the political culture of eighteenth-century France.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781501724626

Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Abbreviations -- Introduction: Political Culture, Print, and Performance -- 1. Parterre Practices in Eighteenth-Century Paris -- 2. Origins of the Contested Parterre, 1630-80 -- 3. "The Parterre Becomes an A~tor," 1680-1725 -- 4. Policing the Parisian Parterre, 169/-1/51 -- 5. Policing the Parterre in Paris and the Provinces, 1751-89 -- 6. The Parterre and French National Identity in the Eighteenth Century -- Afterword -- Appendix: List of Spectators in Paris Parterres by Social Category and Theater, 1717-68 -- Bibliography -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

In the playhouses of eighteenth-century France, clerks and students, soldiers and merchants, and the occasional aristocrat stood in the pit, while the majority of the elite sat in loges. These denizens of the parterre, who accounted for up to two-thirds of the audience, were given to disruptive behavior that culminated in full-scale riots in the last years before the Revolution. Offering a commoner's eye view of the drama offstage, this fascinating history of French theater audiences clearly demonstrates how problems in the parterre reflected tensions at the heart of the Old Regime.Jeffrey S. Ravel vividly depicts the scene in the parterre where the male spectators occupied themselves shoving one another, drinking, urinating, and confronting the actors with critiques of the performance. He traces the futile efforts of the Bourbon Court—and later its Enlightened opponents—to control parterre behavior by both persuasion and force. Ravel describes how the parterre came to represent a larger, more politicized notion of the public, one that exposed the inability of the government to accommodate the demands of French citizens. An important contribution to debates on the public sphere, Ravel's book is the first to explore the role of the parterre in the political culture of eighteenth-century France.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2024)