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Besieged Leningrad : Aesthetic Responses to Urban Disaster / Polina Barskova.

By: Material type: TextTextSeries: NIU Series in Slavic, East European, and Eurasian StudiesPublisher: Ithaca, NY : Cornell University Press, [2021]Copyright date: ©2017Description: 1 online resource (232 p.) : 11 illustrationsContent type:
Media type:
Carrier type:
ISBN:
  • 9781501756818
Subject(s): DDC classification:
  • 940.54/21721 23
LOC classification:
  • D764.3.L4
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Acknowledgments -- Transliteration and Translations -- INTRODUCTION -- WALKING THROUGH THE SIEGE Routes, Routines, and the Paths of the Imagination -- SPATIALIZED ALLEGORY Speaking Dystrophy Otherwise -- PARADOXES OF SIEGE VISION Darkness, Blindness, and Knowledge -- FRAMING THE SIEGE SUBLIME Urban Spectacle and Cultural Memory -- THE SPATIAL PRACTICE OF SIEGE READING -- READING INTO THE SIEGE Heterochronic Directions of Escapist Reading -- Notes -- Bibliography -- Index
Summary: During the 872 days of the Siege of Leningrad (September 1941 to January 1944), the city's inhabitants were surrounded by the military forces of Nazi Germany. They suffered famine, cold, and darkness, and a million people lost their lives, making the siege one of the most destructive in history. Confinement in the besieged city was a traumatic experience. Unlike the victims of the Auschwitz concentration camp, for example, who were brought from afar and robbed of their cultural roots, the victims of the Siege of Leningrad were trapped in the city as it underwent a slow, horrific transformation. They lost everything except their physical location, which was layered with historical, cultural, and personal memory. In Besieged Leningrad, Polina Barskova examines how the city's inhabitants adjusted to their new urban reality, focusing on the emergence of new spatial perceptions that fostered the production of diverse textual and visual representations. The myriad texts that emerged during the siege were varied and exciting, engendered by sometimes sharply conflicting ideological urges and aesthetic sensibilities. In this first study of the cultural and literary representations of spatiality in besieged Leningrad, Barskova examines a wide range of authors with competing views of their difficult relationship with the city, filling a gap in Western knowledge of the culture of the siege. It will appeal to Russian studies specialists as well as those interested in war testimonies and the representation of trauma.  
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781501756818

Frontmatter -- Contents -- Acknowledgments -- Transliteration and Translations -- INTRODUCTION -- WALKING THROUGH THE SIEGE Routes, Routines, and the Paths of the Imagination -- SPATIALIZED ALLEGORY Speaking Dystrophy Otherwise -- PARADOXES OF SIEGE VISION Darkness, Blindness, and Knowledge -- FRAMING THE SIEGE SUBLIME Urban Spectacle and Cultural Memory -- THE SPATIAL PRACTICE OF SIEGE READING -- READING INTO THE SIEGE Heterochronic Directions of Escapist Reading -- Notes -- Bibliography -- Index

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http://purl.org/coar/access_right/c_16ec

During the 872 days of the Siege of Leningrad (September 1941 to January 1944), the city's inhabitants were surrounded by the military forces of Nazi Germany. They suffered famine, cold, and darkness, and a million people lost their lives, making the siege one of the most destructive in history. Confinement in the besieged city was a traumatic experience. Unlike the victims of the Auschwitz concentration camp, for example, who were brought from afar and robbed of their cultural roots, the victims of the Siege of Leningrad were trapped in the city as it underwent a slow, horrific transformation. They lost everything except their physical location, which was layered with historical, cultural, and personal memory. In Besieged Leningrad, Polina Barskova examines how the city's inhabitants adjusted to their new urban reality, focusing on the emergence of new spatial perceptions that fostered the production of diverse textual and visual representations. The myriad texts that emerged during the siege were varied and exciting, engendered by sometimes sharply conflicting ideological urges and aesthetic sensibilities. In this first study of the cultural and literary representations of spatiality in besieged Leningrad, Barskova examines a wide range of authors with competing views of their difficult relationship with the city, filling a gap in Western knowledge of the culture of the siege. It will appeal to Russian studies specialists as well as those interested in war testimonies and the representation of trauma.  

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)