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Marlowe, Shakespeare, and the Economy of Theatrical Experience / Thomas Cartelli.

By: Material type: TextTextPublisher: Philadelphia : University of Pennsylvania Press, [2015]Copyright date: ©1992Description: 1 online resource (264 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780812231021
  • 9781512801569
Subject(s): DDC classification:
  • 792/.0942/09031 20
LOC classification:
  • PR658.A88 C37 1991eb
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- Acknowledgments -- A Note on Texts -- Prefatory Note -- Introduction: Marlowe and/or Shakespeare -- 1. The Terms of Engagement -- 2. The Audience in Theory and Practice -- 3. The Tamburlaine Phenomenon -- 4. Banquo's Ghost -- 5. King Edward's Body -- 6. Radical Shakespeare -- 7. Machiavel's Ghost -- 8. The Unaccommodating Text -- Conclusion: The Imaginary Audience -- Notes -- Works Cited -- Index -- Backmatter
Summary: This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781512801569

Frontmatter -- Contents -- Acknowledgments -- A Note on Texts -- Prefatory Note -- Introduction: Marlowe and/or Shakespeare -- 1. The Terms of Engagement -- 2. The Audience in Theory and Practice -- 3. The Tamburlaine Phenomenon -- 4. Banquo's Ghost -- 5. King Edward's Body -- 6. Radical Shakespeare -- 7. Machiavel's Ghost -- 8. The Unaccommodating Text -- Conclusion: The Imaginary Audience -- Notes -- Works Cited -- Index -- Backmatter

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)