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Horatio Greenough : The First American Sculptor / Nathalia Wright.

By: Material type: TextTextSeries: Anniversary CollectionPublisher: Philadelphia : University of Pennsylvania Press, [2016]Copyright date: ©1963Edition: Reprint 2016Description: 1 online resource (382 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9781512809244
  • 9781512809251
Subject(s): Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Acknowledgments -- CONTENTS -- ILLUSTRATIONS -- Part I -- 1. BOSTON BOY: 1805-1825 -- 2. STUDENT ABROAD AND CRITIC AT HOME : 18251828 -- 3. ART COLONIST: 1828-1836 -- Part II -- 4. SPOKESMAN FOR THE NATION -- Part III -- 5. FLORENTINE AMERICAN: 1837-1851 -- 6. YANKEE PHILOSOPHER: 1851-1852 -- Plates -- Notes -- Index
Summary: This is the first full-length biography of Horatio Greenough. Aside from a short fifty page account published in 1853, no one up to now has attempted to write the complete story of his life.Greenough, who lived from 1805 to 1852, was the first American to devote himself from the outset of his career to the profession of sculpture and the first to set forth at any length the concept of functionalism in architecture. He was generally forgotten after his death, chiefly because the heroic, classical tradition in sculpture to which he was committed gave place to the realistic depiction of subjects in the dress of their times. On the other hand, his architectural theory, for which he was far in advance of his time, made little impression on his contemporaries. In recent years he has been hailed as a forerunner of the architectural functionalists while his sculpture has been disparaged. Actually, his achievement in both these areas is considerable and highly significant in the history of American culture.In this book Greenough's life is examined with a broad, historical, American-culture point of view rather than the specialized view of the art critic. Especially interesting and informative are the discussions of his virtual founding of the American colony in Florence; his association with such notable contemporaries as James Fenimore Cooper, Samuel F. B. Morse and Ralph Waldo Emerson; and his dealings with the United States government in the execution of two major works. One was the controversial "Washington," intended for the rotund. of the Capitol but, widely objected to because the figure was half-nude, now in the Smithsonian Institution; the other was "The Rescue," consisting of a pioneer restraining an Indian from killing a pioneer woman and child, a group which stood on the east front of the Capitol until its recent remodeling.This book contains liberal "ations from previously unpublished letters of Greenough and accounts of nineteenth-century American travelers in Italy. In addition, there is a catalogue of the artist's sculpture and fifty plates (with seventy-eight individual illustrations), including photographs or drawings of most of his sculptures and photographs of representative specimens of his drawings, the majority of which are being published for the first time.
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Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781512809251

Frontmatter -- Acknowledgments -- CONTENTS -- ILLUSTRATIONS -- Part I -- 1. BOSTON BOY: 1805-1825 -- 2. STUDENT ABROAD AND CRITIC AT HOME : 18251828 -- 3. ART COLONIST: 1828-1836 -- Part II -- 4. SPOKESMAN FOR THE NATION -- Part III -- 5. FLORENTINE AMERICAN: 1837-1851 -- 6. YANKEE PHILOSOPHER: 1851-1852 -- Plates -- Notes -- Index

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This is the first full-length biography of Horatio Greenough. Aside from a short fifty page account published in 1853, no one up to now has attempted to write the complete story of his life.Greenough, who lived from 1805 to 1852, was the first American to devote himself from the outset of his career to the profession of sculpture and the first to set forth at any length the concept of functionalism in architecture. He was generally forgotten after his death, chiefly because the heroic, classical tradition in sculpture to which he was committed gave place to the realistic depiction of subjects in the dress of their times. On the other hand, his architectural theory, for which he was far in advance of his time, made little impression on his contemporaries. In recent years he has been hailed as a forerunner of the architectural functionalists while his sculpture has been disparaged. Actually, his achievement in both these areas is considerable and highly significant in the history of American culture.In this book Greenough's life is examined with a broad, historical, American-culture point of view rather than the specialized view of the art critic. Especially interesting and informative are the discussions of his virtual founding of the American colony in Florence; his association with such notable contemporaries as James Fenimore Cooper, Samuel F. B. Morse and Ralph Waldo Emerson; and his dealings with the United States government in the execution of two major works. One was the controversial "Washington," intended for the rotund. of the Capitol but, widely objected to because the figure was half-nude, now in the Smithsonian Institution; the other was "The Rescue," consisting of a pioneer restraining an Indian from killing a pioneer woman and child, a group which stood on the east front of the Capitol until its recent remodeling.This book contains liberal "ations from previously unpublished letters of Greenough and accounts of nineteenth-century American travelers in Italy. In addition, there is a catalogue of the artist's sculpture and fifty plates (with seventy-eight individual illustrations), including photographs or drawings of most of his sculptures and photographs of representative specimens of his drawings, the majority of which are being published for the first time.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)