Library Catalog
Amazon cover image
Image from Amazon.com

Acts of Logos in Pushkin and Gogol : Petersburg Texts and Subtexts / Kathleen Scollins.

By: Material type: TextTextSeries: Liber PrimusPublisher: Boston, MA : Academic Studies Press, [2017]Copyright date: ©2017Description: 1 online resource (330 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9781618115829
  • 9781618115836
Subject(s): DDC classification:
  • 891.71/3
LOC classification:
  • PG3015.5.S27 S36 2017
  • PG3015.5.S27
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- Acknowledgments -- Prologue: In the Beginning was Peter's Word -- Introduction: St. Petersburg Myth, Text, Word -- 1. Cursing at the Whirlwind The Book of Job according to Pushkin -- 2. Gambling Away the Petri-mony R ival Models of Social Advancement in Pushkin's "The Queen of Spades" -- 3. Body Parts, Puff Pastries, and the Devil Himself N evsky Prospect as the Hellmouth of Gogol's Petersburg -- 4. Mertvye ushi The Annunciation Motif and Disorder of the Senses in "The Nose" -- 5. Kako sdelan Akakii Letter as Hero in "The Overcoat" -- Conclusion: Beyond the Schism -- Works Cited -- Index
Summary: Acts of Logos examines the 19th-century foundations of St. Petersburg's famous literary heritage, with a focus on the unifying principle of material animation. Ever since Pushkin's 1833 poem The Bronze Horseman, the city has provided a literary space in which inanimate things (noses, playing cards, overcoats) spring to life. Scollins's book addresses this issue of animacy by analyzing the powerful function of language in the city's literature, from its mythic origins-in which the tsar Peter appears as a God-like creator, calling his city forth from nothing-to the earliest texts of its literary tradition, when poets took up the pen to commit their own acts of verbal creation. Her interpretations shed new light on the canonical works of Pushkin and Gogol, exposing the performative and subversive possibilities of the poetic word in the Petersburg tradition, and revealing an emerging literary culture capable of challenging the official narratives of the state.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781618115836

Frontmatter -- Contents -- Acknowledgments -- Prologue: In the Beginning was Peter's Word -- Introduction: St. Petersburg Myth, Text, Word -- 1. Cursing at the Whirlwind The Book of Job according to Pushkin -- 2. Gambling Away the Petri-mony R ival Models of Social Advancement in Pushkin's "The Queen of Spades" -- 3. Body Parts, Puff Pastries, and the Devil Himself N evsky Prospect as the Hellmouth of Gogol's Petersburg -- 4. Mertvye ushi The Annunciation Motif and Disorder of the Senses in "The Nose" -- 5. Kako sdelan Akakii Letter as Hero in "The Overcoat" -- Conclusion: Beyond the Schism -- Works Cited -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Acts of Logos examines the 19th-century foundations of St. Petersburg's famous literary heritage, with a focus on the unifying principle of material animation. Ever since Pushkin's 1833 poem The Bronze Horseman, the city has provided a literary space in which inanimate things (noses, playing cards, overcoats) spring to life. Scollins's book addresses this issue of animacy by analyzing the powerful function of language in the city's literature, from its mythic origins-in which the tsar Peter appears as a God-like creator, calling his city forth from nothing-to the earliest texts of its literary tradition, when poets took up the pen to commit their own acts of verbal creation. Her interpretations shed new light on the canonical works of Pushkin and Gogol, exposing the performative and subversive possibilities of the poetic word in the Petersburg tradition, and revealing an emerging literary culture capable of challenging the official narratives of the state.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021)