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Cinemasaurus : Russian Film in Contemporary Context / ed. by Nancy Condee, Alexander Prokhorov, Elena Prokhorova.

Contributor(s): Material type: TextTextSeries: Film and Media StudiesPublisher: Boston, MA : Academic Studies Press, [2020]Copyright date: ©2020Description: 1 online resource (330 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9781644692707
  • 9781644692721
Subject(s): DDC classification:
  • 791.430947 23
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- List of Illustrations -- Foreword -- Acknowledgments -- Note on Transliteration and Translations -- Cinemasaurus: Introduction -- Part One. Borders of Imperial Desire -- Framing Essay -- Introduction -- 1. Imperial Fatigue: Somnambulants, Ghosts, and Monsters -- 2. Empire Reloaded: Sacred Power in a Postmodern Era -- 3. Russia’s Quiet Other: Dmitrii Mamuliia’s Another Sky and Aleksandr Kott’s The Test -- Part Two. Hilarity and Horror -- Framing Essay -- Introduction -- 4. Laughing Apocalypse: Horror and/as Comedy -- 5. Eccentricity, Theatricality, and the Grotesque -- 6. Privatized Violence in the New Russian Cinema -- Part Three. Evropsk or Russia? -- Framing Essay -- Introduction -- 7. Fragments of Empire: The Heartland in Post-Soviet Film -- 8. Russia on the Margins? -- 9. Contending Alterities: Drag Show, Roma Camp . . . -- Part Four. The Ideological Occult -- Framing Essay -- Introduction -- 10. Past, Present, and Posthumous Fathers: Cinepaternity Reloaded -- 11. New Auteurism: The Case of Mikhalkov and Bekmambetov -- 12. Elki: The Most Profitable Franchise of the Putin Era -- Part Five. Interviews -- 13. The Mediascape: Alexander Rodnyansky (CEO, AR Films, Non-Stop Production) -- 14. The Festival: Sitora Alieva (Program Director, Kinotavr) -- 15. The Exhibition Space: Paul Heth (CEO, Rising Star Media; Karo Film Holding) -- 16. The Film Journal: Birgit Beumers (KinoKultura, UK) -- 17. The Film Symposium: Vladimir Padunov (Russian Film Symposium, US) -- Kino-Grafik -- Notes on the Contributors -- Works Cited -- Index
Summary: Cinemasaurus examines contemporary Russian cinema as a new visual economy, emerging over three decades after the Soviet collapse. Focusing on debates and films exhibited at Russian and US public festivals where the films have premiered, the volume’s contributors—the new generation of US scholars studying Russian cinema—examine four issues of Russia’s transition: (1) its imperial legacy, (2) the emergence of a film market and its new genres, (3) Russia’s uneven integration into European values and hierarchies, (4) the renegotiation of state power vis-à-vis arthouse and independent cinemas. An introductory essay frames each of the four sections, with 90 films total under discussion, concluding with a historical timeline and five interviews of key film-industry figures formative of the historical context.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781644692721

Frontmatter -- Contents -- List of Illustrations -- Foreword -- Acknowledgments -- Note on Transliteration and Translations -- Cinemasaurus: Introduction -- Part One. Borders of Imperial Desire -- Framing Essay -- Introduction -- 1. Imperial Fatigue: Somnambulants, Ghosts, and Monsters -- 2. Empire Reloaded: Sacred Power in a Postmodern Era -- 3. Russia’s Quiet Other: Dmitrii Mamuliia’s Another Sky and Aleksandr Kott’s The Test -- Part Two. Hilarity and Horror -- Framing Essay -- Introduction -- 4. Laughing Apocalypse: Horror and/as Comedy -- 5. Eccentricity, Theatricality, and the Grotesque -- 6. Privatized Violence in the New Russian Cinema -- Part Three. Evropsk or Russia? -- Framing Essay -- Introduction -- 7. Fragments of Empire: The Heartland in Post-Soviet Film -- 8. Russia on the Margins? -- 9. Contending Alterities: Drag Show, Roma Camp . . . -- Part Four. The Ideological Occult -- Framing Essay -- Introduction -- 10. Past, Present, and Posthumous Fathers: Cinepaternity Reloaded -- 11. New Auteurism: The Case of Mikhalkov and Bekmambetov -- 12. Elki: The Most Profitable Franchise of the Putin Era -- Part Five. Interviews -- 13. The Mediascape: Alexander Rodnyansky (CEO, AR Films, Non-Stop Production) -- 14. The Festival: Sitora Alieva (Program Director, Kinotavr) -- 15. The Exhibition Space: Paul Heth (CEO, Rising Star Media; Karo Film Holding) -- 16. The Film Journal: Birgit Beumers (KinoKultura, UK) -- 17. The Film Symposium: Vladimir Padunov (Russian Film Symposium, US) -- Kino-Grafik -- Notes on the Contributors -- Works Cited -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Cinemasaurus examines contemporary Russian cinema as a new visual economy, emerging over three decades after the Soviet collapse. Focusing on debates and films exhibited at Russian and US public festivals where the films have premiered, the volume’s contributors—the new generation of US scholars studying Russian cinema—examine four issues of Russia’s transition: (1) its imperial legacy, (2) the emergence of a film market and its new genres, (3) Russia’s uneven integration into European values and hierarchies, (4) the renegotiation of state power vis-à-vis arthouse and independent cinemas. An introductory essay frames each of the four sections, with 90 films total under discussion, concluding with a historical timeline and five interviews of key film-industry figures formative of the historical context.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)