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Beside the Bard : Scottish Lowland Poetry in the Age of Burns / George S. Christian.

By: Material type: TextTextSeries: Transits: Literature, Thought & Culture 1650-1850Publisher: Lewisburg, PA : Bucknell University Press, [2020]Copyright date: ©2020Description: 1 online resource (261 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9781684481859
Subject(s): DDC classification:
  • 821/.09413
LOC classification:
  • PR8567
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- CONTENTS -- Introduction -- 1 Burns’s Ayrshire “Bardies”: John Lapraik and David Sillar -- 2 Burns and the Women “Peasant” Poets: Janet Little and Isobel Pagan -- 3 Alexander Wilson and the Price of Radicalism -- 4 Lady Nairne: Burns’s Jacobite Other -- 5 “In the Shadow of Burns”: Robert Tannahill -- 6 Burns and the Jacobins: James Kennedy and Alexander Geddes -- Conclusion -- Acknowledgments -- Notes -- Bibliography -- Index -- ABOUT THE AUTHOR
Summary: Beside the Bard argues that Scottish poetry in the age of Burns reclaims not a single past, dominated and overwritten by the unitary national language of an elite ruling class, but a past that conceptualizes the Scottish nation in terms of local self-identification, linguistic multiplicity, cultural and religious difference, and transnational political and cultural affiliations. This fluid conception of the nation may accommodate a post-Union British self-identification, but it also recognizes the instrumental and historically contingent nature of “Britishness.” Whether male or female, loyalist or radical, literati or autodidacts, poets such as Alexander Wilson, Carolina Olyphant, Robert Tannahill, and John Lapraik, among others, adamantly refuse to imagine a single nation, British or otherwise, instead preferring an open, polyvocal field, on which they can stage new national and personal formations and fight new revolutions. In this sense, “Scotland” is a revolutionary category, always subject to creative destruction and reformation. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Frontmatter -- CONTENTS -- Introduction -- 1 Burns’s Ayrshire “Bardies”: John Lapraik and David Sillar -- 2 Burns and the Women “Peasant” Poets: Janet Little and Isobel Pagan -- 3 Alexander Wilson and the Price of Radicalism -- 4 Lady Nairne: Burns’s Jacobite Other -- 5 “In the Shadow of Burns”: Robert Tannahill -- 6 Burns and the Jacobins: James Kennedy and Alexander Geddes -- Conclusion -- Acknowledgments -- Notes -- Bibliography -- Index -- ABOUT THE AUTHOR

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Beside the Bard argues that Scottish poetry in the age of Burns reclaims not a single past, dominated and overwritten by the unitary national language of an elite ruling class, but a past that conceptualizes the Scottish nation in terms of local self-identification, linguistic multiplicity, cultural and religious difference, and transnational political and cultural affiliations. This fluid conception of the nation may accommodate a post-Union British self-identification, but it also recognizes the instrumental and historically contingent nature of “Britishness.” Whether male or female, loyalist or radical, literati or autodidacts, poets such as Alexander Wilson, Carolina Olyphant, Robert Tannahill, and John Lapraik, among others, adamantly refuse to imagine a single nation, British or otherwise, instead preferring an open, polyvocal field, on which they can stage new national and personal formations and fight new revolutions. In this sense, “Scotland” is a revolutionary category, always subject to creative destruction and reformation. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)