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Subjective Realist Cinema : From Expressionism to ‹i›Inception‹/i› / Matthew Campora.

By: Material type: TextTextPublisher: New York ; Oxford : Berghahn Books, [2014]Copyright date: ©2014Description: 1 online resource (160 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9781782382782
  • 9781782382799
Subject(s): DDC classification:
  • 791.43612
LOC classification:
  • PN1995 .C3415 2014
  • PN1995
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Acknowledgments -- Introduction -- Chapter 1. Complex Narratives -- Chapter 2. Two Trajectories of the Cinema of Attractions -- Chapter 3. Subjective Realism and Multiform Narratives -- Chapter 4. Mulholland Drive -- Chapter 5. Memento -- Chapter 6. Eternal Sunshine of the Spotless Mind -- Conclusion -- Filmography -- Bibliography -- Index
Summary: Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ “subjective realist” narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers’ enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contemporary filmmaking.

Frontmatter -- Contents -- Acknowledgments -- Introduction -- Chapter 1. Complex Narratives -- Chapter 2. Two Trajectories of the Cinema of Attractions -- Chapter 3. Subjective Realism and Multiform Narratives -- Chapter 4. Mulholland Drive -- Chapter 5. Memento -- Chapter 6. Eternal Sunshine of the Spotless Mind -- Conclusion -- Filmography -- Bibliography -- Index

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Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ “subjective realist” narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers’ enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contemporary filmmaking.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)