Nationalism and the Cinema in France : Political Mythologies and Film Events, 1945-1995 / Hugo Frey.
Material type:
TextPublisher: New York ; Oxford : Berghahn Books, [2014]Copyright date: ©2014Description: 1 online resource (250 p.)Content type: - 9781782383659
- 9781782383666
- Motion pictures -- History -- 20th century -- France
- Motion pictures -- Political aspects -- History -- 20th century -- France
- Motion pictures -- Political aspects
- Motion pictures
- Nationalism in motion pictures
- Patriotism in motion pictures -- France -- History
- Patriotism in motion pictures
- PERFORMING ARTS / Film & Video / History & Criticism
- Film and Television Studies, History: 20th Century to Present
- 791.43094409/034 23/eng/20230216
- online - DeGruyter
| Item type | Current library | Call number | URL | Status | Notes | Barcode | |
|---|---|---|---|---|---|---|---|
eBook
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Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9781782383666 |
Frontmatter -- Contents -- Acknowledgements -- INTRODUCTION From International ‘High Art’ to the Parisian Political Melee -- CHAPTER ONE The Cinema of Self-promotion: Patriotic Subtexts in ‘Films about Films’ -- CHAPTER TWO The Search for National Unity through History -- CHAPTER THREE The Representation of a Modern Chic People -- CHAPTER FOUR A Paradox in Anti-Americanism: Public Protest and Visual Ambiguity -- CHAPTER FIVE The Maintenance of Neocolonial Attitudes -- CHAPTER SIX The Persistence of Anti-Semitism -- CHAPTER SEVEN The Cinema and the Extreme Right-wing Undercurrent -- Conclusion -- Bibliography -- Index
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
It is often taken for granted that French cinema is intimately connected to the nation’s sense of identity and self-confidence. But what do we really know about that relationship? What are the nuances, insider codes, and hidden history of the alignment between cinema and nationalism? Hugo Frey suggests that the concepts of the ‘political myth’ and ‘the film event’ are the essential theoretical reference points for unlocking film history. Nationalism and the Cinema in France offers new arguments regarding those connections in the French case, examining national elitism, neo-colonialism, and other exclusionary discourses, as well as discussing for the first time the subculture of cinema around the extreme right Front National. Key works from directors such as Michel Audiard, Jean-Luc Godard, Jean-Pierre Melville, Marcel Pagnol, Jean Renoir, Jacques Tati, François Truffaut, and others provide a rich body of evidence.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)

