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Sounds German : Popular Music in Postwar Germany at the Crossroads of the National and Transnational / ed. by Kirkland A. Fulk.

Contributor(s): Material type: TextTextPublisher: New York ; Oxford : Berghahn Books, [2020]Copyright date: ©2020Description: 1 online resource (140 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9781789207408
  • 9781789204735
Subject(s): DDC classification:
  • 940.5
LOC classification:
  • D652
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- CONTENTS -- ILLUSTRATIONS -- Introduction INTO THE MUSIC ROOMS -- Chapter 1 Licht aus–Spot an: How Schlager (ZDF 1969–1984) Beat Disco (ZDF 1971–1982) -- Chapter 2 The Birth of Autotune and the Loop of (West) German Identity -- Chapter 3 Wenn eine Band lange Zeit lebt: Puhdys, Politics, and Popularity -- Chapter 4 DIY, im Eigenverlag: East German Tamizdat LPs -- Chapter 5 Poetry of an Alien: Black Tape, Silo Nation, and the Historiography of German Hip-Hop’s Alte Schule -- Chapter 6 Death in June and the Apoliteic Specter of Neofolk in Germany -- Chapter 7 Knitted Naked Suits and Shedding Skins: The Body Politics of Popfeminist Musical Performances in the Twenty-first Century -- Chapter 8 Searching for the Young Soul Rebels: On Writing, New Wave, and the Ends of Cultural Studies -- INDEX
Summary: For decades, Germany has been shaped and reshaped by the sounds of popular music—whether viewed as uniquely German or an ideological invader from abroad. This collected volume brings together leading figures in the field of German Studies, popular music studies, and cultural studies at large to survey the sociopolitical impact of music on conceptions of the German state and national identity, gender and sexuality, and transnational cultural production and consumption, expanding on the ways in which sounds, technologies, media practices, and exchanges of popular music provide a unique glimpse into the cultural dynamics of postwar Germany.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781789204735

Frontmatter -- CONTENTS -- ILLUSTRATIONS -- Introduction INTO THE MUSIC ROOMS -- Chapter 1 Licht aus–Spot an: How Schlager (ZDF 1969–1984) Beat Disco (ZDF 1971–1982) -- Chapter 2 The Birth of Autotune and the Loop of (West) German Identity -- Chapter 3 Wenn eine Band lange Zeit lebt: Puhdys, Politics, and Popularity -- Chapter 4 DIY, im Eigenverlag: East German Tamizdat LPs -- Chapter 5 Poetry of an Alien: Black Tape, Silo Nation, and the Historiography of German Hip-Hop’s Alte Schule -- Chapter 6 Death in June and the Apoliteic Specter of Neofolk in Germany -- Chapter 7 Knitted Naked Suits and Shedding Skins: The Body Politics of Popfeminist Musical Performances in the Twenty-first Century -- Chapter 8 Searching for the Young Soul Rebels: On Writing, New Wave, and the Ends of Cultural Studies -- INDEX

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

For decades, Germany has been shaped and reshaped by the sounds of popular music—whether viewed as uniquely German or an ideological invader from abroad. This collected volume brings together leading figures in the field of German Studies, popular music studies, and cultural studies at large to survey the sociopolitical impact of music on conceptions of the German state and national identity, gender and sexuality, and transnational cultural production and consumption, expanding on the ways in which sounds, technologies, media practices, and exchanges of popular music provide a unique glimpse into the cultural dynamics of postwar Germany.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)