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The Language of Comic Narratives : Humor Construction in Short Stories / Isabel Ermida.

By: Material type: TextTextSeries: Humor Research [HR] ; 9Publisher: Berlin ; Boston : De Gruyter Mouton, [2008]Copyright date: ©2008Description: 1 online resource (261 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9783110205145
  • 9783110208337
Subject(s): DDC classification:
  • 808.31 22/ger
LOC classification:
  • PN3373
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- List of tables and figures -- Foreword -- Chapter 1. The concept of humor: history, scope and issues -- Chapter 2. Linguistic resources of humor -- Chapter 3. Humor as a textual genre: from jokes to comic narratives -- Chapter 4. Structural principles of narrative humor -- Chapter 5. Pragmatics of the humorous narrative -- Chapter 6. A model of humorous narratives -- Chapter 7. Extending the analysis -- Backmatter
Summary: The book offers a comprehensive account of how humor works in short stories, by presenting a model of narrative comedy that is pragmatically as well as semantically, grammatically and stylistically informed. It is the first study to combine a sequential analysis of the comic short story with a hierarchical one, merging together horizontal and vertical narratological perspectives in a systematic way. The book covers the main areas of linguistic analysis and is deliberately interdisciplinary, using input from philosophy, sociology and psychology so as to touch upon the nature, motivations and functions of humor as a cognitive phenomenon in a social context. Crucially, The Language of Comic Narratives combines a scholarly approach with a careful explanation of key terms and concepts, making it accessible to researchers and students, as well as non-specialists. Moreover, it reviews a broad range of historical critical data by examining the source texts, and it provides many humorous examples, from jokes to extracts from comic narratives. Thus, it seeks to anchor theory in specific texts, and also to show that many linguistic mechanisms of humor are common to jokes and longer, literary comic narratives. The book tests the model of humorous narratives on a set of comic short stories by British and American writers, ranging from Evelyn Waugh and Dorothy Parker, through Graham Greene and Corey Ford, to David Lodge and Woody Allen. The validity of the model is confirmed through a subsequent discussion of apparent counter-examples.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9783110208337

Frontmatter -- Contents -- List of tables and figures -- Foreword -- Chapter 1. The concept of humor: history, scope and issues -- Chapter 2. Linguistic resources of humor -- Chapter 3. Humor as a textual genre: from jokes to comic narratives -- Chapter 4. Structural principles of narrative humor -- Chapter 5. Pragmatics of the humorous narrative -- Chapter 6. A model of humorous narratives -- Chapter 7. Extending the analysis -- Backmatter

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

The book offers a comprehensive account of how humor works in short stories, by presenting a model of narrative comedy that is pragmatically as well as semantically, grammatically and stylistically informed. It is the first study to combine a sequential analysis of the comic short story with a hierarchical one, merging together horizontal and vertical narratological perspectives in a systematic way. The book covers the main areas of linguistic analysis and is deliberately interdisciplinary, using input from philosophy, sociology and psychology so as to touch upon the nature, motivations and functions of humor as a cognitive phenomenon in a social context. Crucially, The Language of Comic Narratives combines a scholarly approach with a careful explanation of key terms and concepts, making it accessible to researchers and students, as well as non-specialists. Moreover, it reviews a broad range of historical critical data by examining the source texts, and it provides many humorous examples, from jokes to extracts from comic narratives. Thus, it seeks to anchor theory in specific texts, and also to show that many linguistic mechanisms of humor are common to jokes and longer, literary comic narratives. The book tests the model of humorous narratives on a set of comic short stories by British and American writers, ranging from Evelyn Waugh and Dorothy Parker, through Graham Greene and Corey Ford, to David Lodge and Woody Allen. The validity of the model is confirmed through a subsequent discussion of apparent counter-examples.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023)