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The Figures of Edgar Allan Poe : Authorship, Antebellum Literature, and Transatlantic Rhetoric / Gero Guttzeit.

By: Material type: TextTextSeries: Buchreihe der Anglia / Anglia Book Series ; 56Publisher: Berlin ; Boston : De Gruyter, [2017]Copyright date: ©2017Description: 1 online resource (XIII, 256 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9783110518146
  • 9783110518184
  • 9783110520156
Subject(s): DDC classification:
  • 420
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- Acknowledgements -- Abbreviations -- Note on the Text -- Introduction -- Part I. Authorship, Antebellum Literature, and Transatlantic Rhetoric -- 1 Towards a Rhetoric of Authorship: Theoretical, Poetical, and Performative Figures of the Author -- 2 “Under the Ban of the Empire of Literature”: Print Culture, the Rise of the Author, and the Transatlantic Dispersal of Rhetoric, 1776–1849 -- Part II. The Figures of Edgar Allan Poe -- 3 “Letters of Recommendation”: The Transatlantic Poet-Critic between the Rules of Rhetoric and Romantic Aesthetics -- 4 The Genius Rhetorician: The Rhetoric of “The Philosophy of Composition” -- 5 “The Ingenuity of Unravelling”: Abductive Powers and Rhetorical Inventors in the Tales of Ratiocination -- 6 The Jingle-Man and the Damned Rhetorician: Poetry, Elocution, and the Political Rationale of Verse -- 7 “The Only Proper Stage for the Literary Histrio”: Delivery and its Dangers in the Antebellum Cultures of Rhetoric and Print -- Concluding Remarks -- Works Cited -- Index of Names -- Index of Subjects
Summary: The Figures of Edgar Allan Poe is the first study to address the rhetorical dimensions of Poe’s textual and discursive practices. It argues that Poe is a figure and figurer of the emergence of the modern understanding of literature in the early nineteenth century that resulted from the birth of the romantic author and the so-called ‘death of rhetoric’. Building on accounts of Poe as a skilled navigator of American antebellum print culture, Gero Guttzeit reinterprets Poe as representative of the vital role that transatlantic rhetoric played in antebellum literature. He investigates rhetorical figures of the author in Poe’s critical writings, tales, poems, and lectures to give a new account of Poe’s significance for antebellum literary culture. In so doing, he also proposes a general rhetorical theory of theoretical, poetical, and performative figures of the author. Beyond Poe studies, the book intervenes in current debates on the romantic origins of the modern author and demonstrates that rhetorical theory offers new ways of exploring authorship beyond the nineteenth century.

Frontmatter -- Contents -- Acknowledgements -- Abbreviations -- Note on the Text -- Introduction -- Part I. Authorship, Antebellum Literature, and Transatlantic Rhetoric -- 1 Towards a Rhetoric of Authorship: Theoretical, Poetical, and Performative Figures of the Author -- 2 “Under the Ban of the Empire of Literature”: Print Culture, the Rise of the Author, and the Transatlantic Dispersal of Rhetoric, 1776–1849 -- Part II. The Figures of Edgar Allan Poe -- 3 “Letters of Recommendation”: The Transatlantic Poet-Critic between the Rules of Rhetoric and Romantic Aesthetics -- 4 The Genius Rhetorician: The Rhetoric of “The Philosophy of Composition” -- 5 “The Ingenuity of Unravelling”: Abductive Powers and Rhetorical Inventors in the Tales of Ratiocination -- 6 The Jingle-Man and the Damned Rhetorician: Poetry, Elocution, and the Political Rationale of Verse -- 7 “The Only Proper Stage for the Literary Histrio”: Delivery and its Dangers in the Antebellum Cultures of Rhetoric and Print -- Concluding Remarks -- Works Cited -- Index of Names -- Index of Subjects

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The Figures of Edgar Allan Poe is the first study to address the rhetorical dimensions of Poe’s textual and discursive practices. It argues that Poe is a figure and figurer of the emergence of the modern understanding of literature in the early nineteenth century that resulted from the birth of the romantic author and the so-called ‘death of rhetoric’. Building on accounts of Poe as a skilled navigator of American antebellum print culture, Gero Guttzeit reinterprets Poe as representative of the vital role that transatlantic rhetoric played in antebellum literature. He investigates rhetorical figures of the author in Poe’s critical writings, tales, poems, and lectures to give a new account of Poe’s significance for antebellum literary culture. In so doing, he also proposes a general rhetorical theory of theoretical, poetical, and performative figures of the author. Beyond Poe studies, the book intervenes in current debates on the romantic origins of the modern author and demonstrates that rhetorical theory offers new ways of exploring authorship beyond the nineteenth century.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)