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Female Performers in British and American Fiction / Barbara Straumann.

By: Material type: TextTextSeries: Buchreihe der Anglia / Anglia Book Series ; 58Publisher: Berlin ; Boston : De Gruyter, [2018]Copyright date: ©2018Description: 1 online resource (VIII, 305 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9783110558425
  • 9783110558661
  • 9783110561043
Subject(s): DDC classification:
  • 820.8008 23/eng/20230216
LOC classification:
  • PN56.5.W64 S76 2018
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Acknowledgments -- Contents -- 1. Introduction -- 2. Corinne and Her Aftereffects on the British Stage -- 3. Visionary Preaching in Britain and America -- 4. American Political Speakers -- 5. Acting Anxieties -- 6. Fin-de-Siècle Ventriloquism and Modernist Self-Authorship -- 7. Conclusion -- Illustration Credits -- Bibliography -- Index
Summary: The female performer with a public voice constitutes a remarkably vibrant theme in British and American narratives of the long nineteenth century. The tension between fictional female performers and other textual voices can be seen to refigure the cultural debate over the ‘voice’ of women in aesthetically complex ways. By focusing on singers, actresses, preachers and speakers, this book traces and explores an important tradition of feminine articulation.Drawing on critical approaches in literary studies, gender studies and philosophy, the book conceptualizes voice for the discussion of narrative texts. Examining voice both as a thematic concern and as an aesthetic effect, the individual chapters analyse how the actual articulation by female performers correlates with their cultural visibility and agency. What this study foregrounds is how women characters succeed in making themselves heard even if their voices are silenced in the end.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9783110561043

Frontmatter -- Acknowledgments -- Contents -- 1. Introduction -- 2. Corinne and Her Aftereffects on the British Stage -- 3. Visionary Preaching in Britain and America -- 4. American Political Speakers -- 5. Acting Anxieties -- 6. Fin-de-Siècle Ventriloquism and Modernist Self-Authorship -- 7. Conclusion -- Illustration Credits -- Bibliography -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

The female performer with a public voice constitutes a remarkably vibrant theme in British and American narratives of the long nineteenth century. The tension between fictional female performers and other textual voices can be seen to refigure the cultural debate over the ‘voice’ of women in aesthetically complex ways. By focusing on singers, actresses, preachers and speakers, this book traces and explores an important tradition of feminine articulation.Drawing on critical approaches in literary studies, gender studies and philosophy, the book conceptualizes voice for the discussion of narrative texts. Examining voice both as a thematic concern and as an aesthetic effect, the individual chapters analyse how the actual articulation by female performers correlates with their cultural visibility and agency. What this study foregrounds is how women characters succeed in making themselves heard even if their voices are silenced in the end.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)