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The Yiddish Stage as a Temporary Home : Dzigan and Shumacher’s Satirical Theater (1927-1980) / Diego Rotman.

By: Material type: TextTextPublisher: München ; Wien : De Gruyter Oldenbourg, [2021]Copyright date: ©2021Description: 1 online resource (IX, 321 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9783110717426
  • 9783110717778
  • 9783110717693
Subject(s): Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Acknowledgements -- Contents -- Introduction -- Chapter 1 Modernism, Avant Garde, and Innovation in Yiddish Theater: Dzigan and Shumacher in Łódź (1925–1933) -- Chapter 2 From a Collective to an Independent Artistic Endeavor: Dzigan and Shumacher in Warsaw (1934–1939) -- Chapter 3 Tribulations of the Last Decade in Eastern Europe: 1939–1949 -- Chapter 4 “And They Journeyed and They Encamped”: Dzigan and Shumacher in Israel (1950–1980) -- Chapter 5 The Text, the Body, and the Stage -- Conclusion -- Appendix A – Names of Spectacles and Shows -- Appendix B – Movies Starring Dzigan and Shumacher -- Appendix C – Television Programs in Israel Starring Shimen Dzigan -- Appendix D – List of Artists and the Shows in Which They Participated -- Bibliography -- Index of Names
Summary: The Yiddish Theater Stage as a Temporary Home takes us through the fascinating life and career of the most important comic duo in Yiddish Theater, Shimen Dzigan and Isroel Shumacher. Spanning over the course of half a century – from the beginning of their work at the Ararat avant-garde Yiddish theater in Łodz, Poland to their Warsaw theatre – they produced bold, groundbreaking political satire. The book further discusses their wanderings through the Soviet Union during the Second World War and their attempt to revive Jewish culture in Poland after the Holocaust. It finally describes their time in Israel, first as guest performers and later as permanent residents. Despite the restrictions on Yiddish actors in Israel, the duo insisted on performing in their language and succeeded in translating the new Israeli reality into unique and timely satire. In the 1950s, they voiced a unique – among the Hebrew stages – political and cultural critique. Dzigan continued to perform on his own and with other Israeli artists until his death in 1980.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9783110717693

Frontmatter -- Acknowledgements -- Contents -- Introduction -- Chapter 1 Modernism, Avant Garde, and Innovation in Yiddish Theater: Dzigan and Shumacher in Łódź (1925–1933) -- Chapter 2 From a Collective to an Independent Artistic Endeavor: Dzigan and Shumacher in Warsaw (1934–1939) -- Chapter 3 Tribulations of the Last Decade in Eastern Europe: 1939–1949 -- Chapter 4 “And They Journeyed and They Encamped”: Dzigan and Shumacher in Israel (1950–1980) -- Chapter 5 The Text, the Body, and the Stage -- Conclusion -- Appendix A – Names of Spectacles and Shows -- Appendix B – Movies Starring Dzigan and Shumacher -- Appendix C – Television Programs in Israel Starring Shimen Dzigan -- Appendix D – List of Artists and the Shows in Which They Participated -- Bibliography -- Index of Names

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http://purl.org/coar/access_right/c_16ec

The Yiddish Theater Stage as a Temporary Home takes us through the fascinating life and career of the most important comic duo in Yiddish Theater, Shimen Dzigan and Isroel Shumacher. Spanning over the course of half a century – from the beginning of their work at the Ararat avant-garde Yiddish theater in Łodz, Poland to their Warsaw theatre – they produced bold, groundbreaking political satire. The book further discusses their wanderings through the Soviet Union during the Second World War and their attempt to revive Jewish culture in Poland after the Holocaust. It finally describes their time in Israel, first as guest performers and later as permanent residents. Despite the restrictions on Yiddish actors in Israel, the duo insisted on performing in their language and succeeded in translating the new Israeli reality into unique and timely satire. In the 1950s, they voiced a unique – among the Hebrew stages – political and cultural critique. Dzigan continued to perform on his own and with other Israeli artists until his death in 1980.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)