Topographies of "Borderland Schengen" : Documental Images of Undocumented Migration in European Borderlands / Jan Kühnemund.
Material type:
TextSeries: Image ; 129Publisher: Bielefeld : transcript Verlag, [2018]Copyright date: 2018Description: 1 online resource (292 p.)Content type: - 9783839442081
- Border
- Documentary Film
- Film
- Image
- Media Studies
- Migrations of nations
- Political art
- Refugee Studies
- Visuality
- Border
- Documentary Film
- Film
- Image
- Media Studies
- Political Art
- Refugee Studies
- Visuality
- SOCIAL SCIENCE / Emigration & Immigration
- Border
- Documentary Film
- Film
- Image
- Media Studies
- Political Art
- Refugee Studies
- Visuality
- 302.2343 22/ger
- online - DeGruyter
| Item type | Current library | Call number | URL | Status | Notes | Barcode | |
|---|---|---|---|---|---|---|---|
eBook
|
Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9783839442081 |
Frontmatter -- Contents -- 1. Introduction -- Part 1: “Borderland Schengen” -- 2. Coordinates -- 3. The Transnational Social Space of “Borderland Schengen” -- Part 2: Borderland Visualities -- 4. The Visuality and Mediality of Documentary Film -- 5. Representational and Performative Practices -- 6. Attempts of Visibility and Recognition -- 7. Transnational Social Spaces - Transitional Social Spaces -- 8. Conclusion: Borderland Counter-Topographies -- Filmography -- Bibliography
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
Analysing recent documentary films dealing with undocumented migration at the Schengen Area's fringes and against the backdrop of what has been termed the `European refugee crisis', Jan Kühnemund investigates the interface between migration discourses and image discourses. As an analytical framework, he conceptualises `Borderland Schengen' as a visual-political transnational space emerging from the interplay of migration movements and border policies. Putting the spaces and iconologies of `illegal' migration under scrutiny and aiming at establishing their protagonists as subjects, Kühnemund in this regard reads the films as attempts at discursive participation as an aesthetic political practice.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024)

